The COVID-19 pandemic brought about many changes to what we know about digital marketing. Businesses have learned that they can operate virtually, and more and more consumers turn to the internet for almost everything they need. Pandemic restrictions propelled the growth of e-commerce exponentially while further cementing the value that content creators and influencers bring to every brand’s marketing mix. 

Influencer marketing has been around for decades, but it has not been until recently when the market more than doubled, reaching USD 13.8 Billion in market size as of 2021, compared to just USD 6.5 Billion in 2019, according to a Statista study. It is predicted that the global influencer marketing industry will grow increasingly faster with the technological developments and the rise of different social networks and platforms.

But before we go even further, for starters, let’s define influencer marketing.

Influencer marketing involves working with people of influence — bloggers, social media influencers, celebrities, thought leaders, charismatic people — in strategically communicating the value proposition of a product or brand. Such promotions are usually sponsored or paid-for endorsements, where social media is the main advertising channel.

Influencers are typically tiered according to their number of followers, where perceived value is attributable to a bigger audience base and compensation is almost always directly correlated to reach.

As we usher in 2022, it is predictable that more brands will jump into the influencer marketing bandwagon, working with content creators and influencers to remain relevant to their audiences. Executive buy-in is not anymore a problem for most marketing teams given the general acceptance of influencer marketing as an important part of the digital marketing pie. Marketing budgets will be appropriated for influencer marketing campaigns, which will then give rise to the demand for influencer agencies, influencer marketing platforms, and influencer managers.

As the influencer marketing industry gains further traction, marketers must prepare for what will most likely lie ahead for the rest of the year. Here are five (5) forces that will drive the influencer marketing industry in 2022 and in the next few years. 

  1. Micro-influencers will continue to prove their value down the customer funnel.

Celebrities and macro-influencers will always have a space in influencer marketing campaigns as they are the ones that drive top-funnel metrics such as reach and impressions, which will always be valuable to any kind of advertising campaign. However, micro-influencers will be the main driving force for visibility, talkability, and even virality in any social media channel. 

Working with micro-influencers levels off the playing field for brands. Bigger brands may have resources to engage celebrities and macro-influencers as campaign headliners, but such brands will always need micro-influencers as amplifiers for their campaigns. While smaller brands may not be able to appropriate big budgets for the big names, they can still work with micro-influencers regardless if budgets are extremely limited.

Micro-influencers have proven time and again that they are able to be more hardworking with their content and engagement. More often than not, micro-influencers are able to engage their audiences beyond surface level, replying to public comments and even private messages. What many brands do not realize is that given this level of responsiveness and interaction, the influencers also become part of the customer’s experience of the brand, which is certainly a richer encounter versus just seeing the brand posted by a famous social media personality.

This influencer-follower engagement makes micro-influencers automatic brand ambassadors, creating content for the brand and personally engaging their audiences to tell the brand story, which proves that even if bigger names trump micro-influencers in terms of top-funnel metrics, marketing investments on the latter are still a more diligent way to spend.

  1. Influencers will be a major driving force for social commerce and live shopping.

Live streaming and live shopping have been growing exponentially since 2020 and this trajectory is predicted to shoot up even further to 2022 and beyond. An article from Forbes.com postulates that sales through live shopping may likely reach USD 500 Billion this year. Major social networks have launched features that incentivize creators to go live. The largest e-commerce marketplaces have poured in copious amounts of investments in putting up tools to support the new wave: shoppertainment

The shoppertainment phenomenon is all about an interactive shopping experience, combining e-commerce, entertainment, and audience engagement. The most popular format of shoppertainment is livestream shopping, where brands get trained presenters to demonstrate the product live, enriching the customer experience of the product to facilitate the journey leading to the point of purchase. Usually, these live stream shows are aided by creators and influencers either through joining the live shows themselves as presenters or promoting the live stream through social media posts. 

In 2018, Instagram launched shoppable posts, allowing brands to tag products in content to create a seamless user experience from post to purchase. Off the live shopping experience, shoppable content in social media is becoming mainstream and influencer content can now be repurposed by brands to be more hardworking.

Social commerce is the awakened sleeping giant in 2022. Increasingly, product discovery will be through social media, and influencers will be the gatekeepers of consumer consideration, purchase, and perhaps even loyalty.

  1. Short-form videos will increase in demand and be the preferred content format for influencer campaigns.

Like it or not, everybody is at the mercy of social media algorithms. Many creators have seen a drastic decrease in visibility of their content in the major social networks, as social media platforms introduce new features that boost the visibility of short-form video content. The growth trajectory of TikTok is impressive and Instagram has taken notice, prompting the launch of Reels. YouTube has kept up with this with the introduction of Shorts, and even subscription streaming service Netflix brought in Just For Laughs in its mobile platform real estate to keep up with the short-form video trend.

The attention span of people becomes shorter and shorter by the day, which posits a challenge for the marketers of today: how do we communicate everything in just a few seconds and still meet the implied requisites of our audience? With marketers grappling to capture and sustain the attention of their customers in overcrowded social media channels, short-form video content made by influencers are the solutions to this challenge.

Short-form video content is more engaging compared to static format content such as text or photos, but less effortful to consume compared to long-form videos. With short-form videos, influencers are able to entertain by showcasing their creativity and personality, educate the viewer about the message and key elements of the brand campaign, and empower their audience to make informed decisions coming from these propositions — all in a few seconds. 

  1. The InfluencerPreneurTM phenomenon: content creators will now be recognized as credible creative marketing channels operating as individual media companies.

Decades ago when blogging was still the newer form of media (compared to traditional publications and television), brands engaged bloggers as its key opinion leaders (KOLs). Bloggers will write about their experience of or with the product, usually getting the product for free in exchange of authentic reviews and placement in their blog sites. Monetary compensation was not common practice then, as blogs were still recognized as personal channels with not much commercial value. After all, while people may have referred to KOLs for guidance in opinion formation and decision-making, most still got their information primarily from traditional media.

However, the days when free products in exchange for posts were the norm are long gone. Now that more and more people are turning to the internet and to social media for product discovery, influencers have found themselves to be owners of prime digital real estate, and prime real estate always comes with a price.

Creators are now fully aware of the value that they bring to brands and quality people will not be willing to work for free. The increasing commercial value of influencer content will bring about the phenomenon of content creation work to be a real, widely-accepted profession, and will give rise to individual influencers being media companies themselves. Compensation for content creation work will be commonplace, as creators and influencers are professionalizing their content creation business by hiring their own teams of professional videographers, editors, and even production teams. 

With this development in the influencer marketing space, brands must now start treating the content creator as an InfluencerPreneurTM: an individual who is in the business of content creation. There are two (2) significant implications to this that modern marketers must remember. First, as an influencer, the content creator is a creative individual that produces creative work, and as such, reasonable artistic license and discretion must be fully allowed by brands in the creation of the materials. Authenticity will remain to be a crucial component of what makes influencer content compelling to the audiences. Second, as an entrepreneur, the content creator treats content creation work as a business venture, and as such, has to be commercially compensated, mostly through monetary means.

  1. Long term influencer collaborations will win over one-off engagements.

Just like in traditional business ventures, long term partnerships with influencers provide the most strategic value over time. The general user base of social media is a clued-up audience — they know when something is paid and they usually second-guess the truthfulness and believability of the information when the content is sponsored. The doubts are fueled even further when they know for certain that the relationship of the influencer with the brand is very transactional.

There are plenty of reasons why long term collaborations are better than one-off engagements, but it all comes down to this: it takes time to make a sale. The marketing “Rule of 7” states that a prospective customer needs to encounter your brand seven (7) times before they are actually prompted to take action. If an influencer talks about a brand once and never again, the likelihood that the message sticks to the followers of the influencer is extremely low. On the other hand, if an influencer talks about a brand consistently in their channels over a prolonged period of time, this communicates that the brand is a part of the influencer’s life, which then builds the credibility of the brand in the minds of the followers of the influencer, and will have a lot of impact on customer lifetime value.

One-off engagements with influencers are still a good way to go about launches and campaigns that are intended to be short term, but real brand value will be driven by influencers only through a long term, ongoing relationship. After all, as digital transformation continues to influence the great migration to the internet (and the metaverse even!), brands will need more creative online partnerships to set them apart in the space.

Ace Gapuz

This article is written by Ace Gapuz, CEO of influencer marketing company, Blogapalooza Inc., in the Philippines.

The article is published as part of MARKETECH APAC’s thought leadership series What’s NEXT. This features marketing leaders sharing their marketing insights and predictions for the upcoming year. The series aims to equip marketers with actionable insights to future-ready their marketing strategies.

If you are a marketing leader and have insights that you’d like to share with regards to the upcoming trends and practices in marketing, please reach out to [email protected] for an opportunity to have your thought-leadership published on the platform.

Ho Chi Minh, Vietnam – As influencer marketing is continuing to grow in popularity, especially in Asia, there has been another rise of influencers: virtual influencers. More recently, more companies are playing with the idea of marketing through virtual influencers. These computer-generated public figures almost have a life of their own – reflected on their social media accounts – and even work with brands to promote the latest products.

In the latest survey conducted by consumer research platform Milieu Insight, it has found that 45% of Vietnamese consumers are very interested in following virtual influencers, while 44% said they are somewhat interested in, and 11% saying they are not interested.

In terms of credibility, 21% of respondents say that they trust virtual influencers more than their human counterparts. Meanwhile, 37% indicated that virtual influencers are to be trusted at the same level as human influencers, 27% said that they are less credible, and 14% said that they are unsure.

Meanwhile, in regards to local preference, 60% said that they want the virtual influencers they follow to look Vietnamese, while 16% say that they want them to look non-Vietnamese, and 25% said that they have no preference. 

On the aspect of how these virtual influencers communicate, 71% said that they prefer to be communicated in Vietnamese, 9% said they prefer someone not communicating in Vietnamese, and 21% said that they have no preference.

Lastly, in terms of gender appearance, 49% said that they want virtual influencers to look feminine, 20% want them being masculine, 14% want them to be androgynous, 2% have other options, and 15% say that they have no preference.

Manila, Philippines – Influencer marketing agency in the Philippines, Gushcloud, has recently signed gamer, singer, and actor Chin Valdes to help him grow his digital presence and overall digital strategy. 

Currently, Valdes’ YouTube channel houses gameplay highlights of his two favorite games Mobile Legends: Bang Bang and Genshin Impact. 

As part of the deal, Gushcloud will be working with Valdes to represent and manage key brand deals, and to provide channel management support. It will co-manage Valdes’ YouTube channel and explore a variety of content that would allow the viewers to get to know him beyond the gaming space. 

Chin shared that gaming, especially today, is so relatable and at the same time, influential. It has taught him that nothing ever gets easy, to keep moving forward, to continuously learn and level up, which has affected how he approaches things in real life. 

“I want to be able to share these with my viewers as we both enjoy our love for gaming,” said Chin.

Jamie Paraso, Gushcloud Philippines’ country director, noted that they constantly aim for a holistic evolution that brings out the different facets of their talents, as they come into their own in the entertainment industry. 

“Indeed, it is an honor to be part of their journey as their collaborative creative partner. We are beyond excited to have Chin Valdes onboard to unlock different paths beyond gaming and reach creative milestones together,” said Paraso.

Aside from Valdes, Gushcloud has also signed celebrity wedding videographer Jason Magbanua, gaming creator Yuka Kuroyanagi, as well as celebrities Bangs Garcia, Ciara Sotto, Bettinna Carlos, Michelle Madrigal, and Patrick Garcia, among others.

India – Mad Influence, social media influencer marketing company in India, is marking its fourth anniversary this 2022 with an office expansion to Dubai. Aside from the new office, Mad also revealed that it plans to go crypto by launching an NFT marketplace for content creators and celebrities, called Mad Fan.

The company started only as a team of two and has now grown to be a firm that offers creative and operational solutions in the field of digital marketing, social media management, content marketing, and other consulting services to businesses from all around India and to the world.

The company currently has Mad Influence, its influencer network; Mad Productions, its in-house production support; Mad Media, its media marketing team; Mad Content, its division for content strategy and communication; as well as Mad Link, its in-house campaign tracking tech; and Mad Studio, the company’s dedicated space for content creators and celebrities to shoot content and network.

Still coinciding with its anniversary celebration, the company spilled that it is also planning to launch subsidiary businesses like Mad Talent to expand the talent division globally, a live streaming and e-commerce division called Mad Streaming, and Mad Vox, which is a completely new vertical as an artist service for the company’s exclusive talents where music videos for the artists will be launched.

Gautam Madhavan, founder and CEO of Mad Influence, said the aim was to build a mad house or a home for the content creators and become the world’s largest influencer marketing network.

“If anyone says influencer marketing is on a boom, I’d say this was just the trailer-picture,” said Madhavan.

Madhavan adds, “It will soon be a $50 billion global industry. This year, our focus will be on working hard for our clients and influencers with ten times the dedication and persistence.”

Aman Narula, the head of influencer marketing operations, commented, “I remember starting out as an intern at this company when the whole team consisted of 3 members. The jump from 3 to 50+ happened because of the collective mindset aimed at growing and achieving our vision together. When you have a team like that, there’s only one way you can go, and that’s upwards! In 2022, we intend to scale up all our ventures and expand globally.”

Very recently, Mad Influence was behind the influencer campaign by Boro Plus, the antiseptic cream brand under skincare company Emami, which leveraged Instagram Reels that aimed to promote self-love. The campaign was kickstarted by well-known dancer and choreographer Shakti Mohan

Sydney, Australia – The Australian Influencer Marketing Council (AiMCO) has announced the newest members of its guiding council (GC) following its latest member elections. The elections covering half of the Council were the inaugural executives since AiMCO was established in 2019. The remaining councilors are due for re-election in 2022. 

The new members are namely Natalie Giddings, CEO at Hoozu; Jacqui Capel, general manager at Squad by Mamamia and Tegan Boorman, founder at Social Law Co., along with returning council members – Anthony Richardson from Q83, Ben Mayor from We Are Social, Sarah Letts from Totally Awesome, Sam Kelly from Hello Social, and Stephen von Muenster from Von Muenster Legal.

Other members of the council include Detch Singh from Hypetap, and the current chair of the council; Patrick Whitnall as the current deputy chair; Ben McGarth from VAMP, Jamie Taylor from Havas Media; Kylie Green from The Lime Agency; Sharyn Smith from Social Soup; Shivani Maharaj from Wavemaker; Simone Landes from The Lifestyle Suite; and Steph Pearson from OMD Create.

The guiding council oversees the strategy and direction for AiMCO and its initiatives, working with the membership to activate working groups and programs. With membership growing to more than 75 members this year, the Australian influencer marketing body has shown its commitment to building confidence and accountability, establishing a presence and voice for the channel.

Furthermore, the council has overseen the review and update to AiMCO’s Code of Practice, and the development of a guide to gifting linked to influencers, as well as a reference cheat sheet for guidelines on social media posts as advertisements. The council also shared that it was slated to oversee the creation and delivery of 16 member webinars and podcasts, as well as the launch of the AiMCO Awards to be held on February 24, 2022. 

“AiMCO’s Guiding Council represents companies from across the influencer marketing community with 17 members that guide the overall direction and activities of AiMCO for the year ahead,” the council stated.

Speaking about the appointment, Capel said, “I am very excited to join the Guiding Council and be a part of this team of passionate experts and leaders. It’s an amazing time to be a part of the Influencer industry in Australia as it grows from strength to strength.”

Meanwhile, Giddings commented, “The influencer industry in Australia is evolving at a rapid pace and navigating the best approach for brands can be daunting. Joining such an industry-wide initiative is very exciting for me. It has long been my desire to come alongside creators and brands to deceiver the best partnerships that truly deliver results.”

AiMCO’s roster of 74 members were invited to nominate for the vacant seats with a competitive and close election process ensuing.

Boorman stated, “My appointment to the Guiding Council is a logical extension to my continued involvement with AiMCO since it’s formation in 2019. I look forward to continuing to work with the exceptional industry leaders appointed to the Guiding Council, as well as the AiMCO members involved in various working groups, towards creating a more transparent and matured influencer marketing industry well into the future.”

Sydney, Australia – Despite ongoing lockdowns in Australia for the past few months, the local influencer marketing scene remains unfazed, as more and more brands have tapped online influencers via sponsored activity, according to data from AI analytics platform HypeAuditor.

From data collected from 1 to 28 of October, there were 3,179 sponsored posts from 1,651 influencers, categorized as those with an authentic following of more than 1000, with the hashtag #ad and/or #sponsored, slightly down from 3,722 sponsored social media posts in September when both Sydney and Melbourne were in lockdown.

While the brands’ influencer marketing campaigns were running as usual during lockdowns, influencers were quick to embrace #freedomday on their social media platforms. Between October 1st and October 25th, 794 influencers shared 1,037 posts using the hashtag #freedomday, reaching 2.5 million people. 

The hashtag #freedomday refers to the sweep of restrictions lifting across Greater Sydney, with 213 posts by influencers peaking by 11 October. 

On October 22, when Melbourne’s lockdown ended, influencers posted less than half as much, with just 95 posts. Considering it was Melbourne’s sixth lockdown in 2021, the novelty of #freedomday has clearly worn off.

“Australian brands and marketers understand that influencer marketing is a foolproof strategy within their overall marketing plans. A significant by-product of city-wide lockdowns was people being on their devices and on social media more than ever, seeking new forms of entertainment. Influencer marketing proved to be one of the best ways to reach consumers during a lockdown, and keep the marketing lights on when people are not out and about,” said Alexander Frolov, CEO and co-founder at HypeAuditor.

He added, “#freedomday for influencers means more creative freedom to create paid content for brands, as they are no longer restricted to the confinement of their homes. Over the next few months, we can expect to see a spike in travel-related content from influencers as interstate as well as international borders reopen and travel brands come back in full force after the devastating effects the border closures had on the industry.”

Mumbai, India – With India slowly opening to the the influencer marketing scene to allow brands to connect directly to consumers, the sector is expected to be valued at ₹2200 crores by 2025, or a 25% CAGR trajectory increase from 2021’s ₹900 crores, according to the latest report provided by INCA, the influencer and content marketing solution arm of GroupM, shows.

Part of the reason influencer marketing is thriving in the country is due to the higher preference of brands of utilizing influencers for the campaigns. According to the insights, 75% of influencer marketing campaigns feature influencers such as social media stars, while 25% only for conservative celebrity personalities.

“Social media has given normal people an opportunity to build their own brand, create communities via content. Standard influencers have more authenticity and are more relatable than traditional celebrities.Specialist and niche influencers command a high degree of authority on the topic and bring in more credibility in comparison to mass celebrities,” the company said in a press statement.

In terms of categories being most active in the sector, personal care campaigns garnered the highest percentage of particular brands tapping heavily on the type of marketing, with 25% of respondents saying. These are followed by food and beverage (20%), fashion and jewelry (15%), and mobile and electronics (10%). In sum, these industries contribute to 70% of the volume of influencer marketing in India.

“In the last two decades, digital advertising growth has accelerated and has become ubiquitous. It’s been gaining share in the marketing pie by transforming its presence at the back of advertising technology platforms such as search, commerce, social, and programmatic. Marketing technology platforms such as analytics, CRM, and CMS have also contributed to this growth journey by enabling brands to understand consumer behavior and their journey on and off the internet,” INCA said in a press statement.

The evident growth of the influencer marketing scene in India is best seen with the report’s data stating that 84% of brand marketers are leaning towards launching one influencer campaign this year, and around 81% of brands who have already launched influencer campaigns are satisfied with the ROI it brought to them.

In addition, around 75% of marketers say that influencer campaigns had a positive impact on the consideration and purchase stage of the sales funnel, and 89% of marketers said the ROI from influencer marketing was better or comparable to other channels.

For Prasanth Kumar, CEO at GroupM South Asia, the pandemic has accelerated the adoption of influencer marketing by brands, as they are making it an integral part of the brand marketing strategy and is now an important part of the company’s media mix recommendation to brands.

“The key factor that has got brands interested is the bond of trust and authenticity that influencers share with their audiences, thus helping brands associate with an influencer to leverage the same. This report is our effort to help marketers understand various aspects of influencer marketing in the country. Consumer behavior is changing at a fast pace, and we want to empower marketers with the knowledge that can help them,” Kumar stated.

Meanwhile, Ashwin Padmanabhan, president for partnerships and trading at GroupM India, commented that the objective of their report was not only to quantify the industry but also attempted to define and standardize the various formats and industry terms. 

“Influencer marketing industry is at a point of inflection and can take off, subject to the industry initiating to measure, quantify and make investments in influencer marketing accountable. We hope this report will catalyze the industry and ensure the power of influencers is harnessed effectively,” Padmanabhan added.

Sydney, Australia – With the rise of social media influencers, there has been an evident rise as well of online influencers who teach more about finance or so-called ‘finfluencers’, and the number is steadily growing in Australia among female millenials, new insights from influencer marketing platform HypeAuditor shows.

According to the data, despite the fact that these ‘finfluencers’ only make up less than 1% of all influencers in the country, they have proven to be incredibly impactful, particularly for brands investing in sponsored content and wanting to engage with commercially minded millennials. On TikTok, the finance-related hashtag #moneytok has more than 3.8 million views, as well its accompanying hashtag #stocktok with more than 361 million times as of this writing.

Among ‘finfluencers’, 34% are female aged 25-34 years, while only 16% are male in the same age bracket. Meanwhile, the balance shifts when looking at ‘finfluencers’ aged 35-44, of which 25% are male and only 9% are female.

The audiences these ‘finfluencers’ reach have a similar skew, with 57% of their audiences being female, of which 44% are aged 25-34, and a further 19% are aged 35-44. The demographic highlights a trend among mostly female consumers wanting to be educated by influencers who look or seem ‘just like them’, who use layman terms and empower them to become financially empowered.

According to Alex Frolov, CEO and co-founder at HypeAuditor, there has been a steadfast growth of the finfluencer phenomenon in the country, and brands wanting to engage with commercially savvy influencers and communicate with money-conscious consumers are taking advantage of this evolving trend.

“It’s interesting to see this movement driven mostly by millennials, reflecting an ongoing trend of turning to, and trusting online information and sources when making significant life decisions or going through major milestones such as buying a first home, investing in shares for the first time, or re-assessing the best superannuation options. Finfluencers are stepping in where traditional financial institutions or more established enterprises have historically made this information challenging to navigate and [take] action,” Frolov said.

However, he cautioned about brands and consumers translating online content into actionable financial advice, stating that while many finfluencers in Australia have a strong finance background, not all are qualified to provide financial advice.

“For finfluencers with a strong and highly engaged audience, it could become challenging for their audience to know the difference between a finfluencer’s observation or piece of advice for a specific scenario, and their advice for the follower themselves. With more finfluencers joining the scene, brands will need to stay vigilant in determining the most relevant and reliable finfluencers to partner with, and consumers will need to exercise caution analyzing financial advice,” Frolov concluded.

Singapore – Marketing technology solutions provider AnyMind Group has recently announced that it is opening up its influencer marketing platform, AnyTag, to talent management agencies, influencer agencies, and multi-channel networks.

The AnyTag platform, which is already being used by marketing and public relations agencies across Asia, has a feature for influencer companies that enables deeper social media and channel analytics of their own influencers, identification of brand collaboration opportunities, and real-time campaign reporting. It also provides influencer companies with a single platform to better understand their talent and keep track of brand collaborations that their talents are working on.

Furthermore, influencer companies can also tap on AnyMind Group’s offerings in the direct-to-consumer space, including cloud manufacturing, e-commerce, and logistics, to enable their talents to create their own brands and sell their own branded products.

Following this endeavor, the company has also announced new features for marketers including lookalike modeling of influencers through natural language processing (NLP) where they can easily identify influencers who are similar to high-performing influencers from previous campaigns and easier identification of brands an influencer has worked with before which can also aid in decision-making when selecting influencers for a campaign.

Both initiatives aim to make influencer marketing more collaborative, addressable, and accurate.

AnyMind Group’s Chief Operating Officer Rohit Sharma said that they now have the technology and business infrastructure to drive greater industry advancement across Asia and beyond.

He further shared that over the years, they have built a highly robust platform not just with a keen focus on functionality, but also one where they help marketers unlock opportunities for big data utilization in influencer marketing – from understanding user conversions and conversations to predictions, recommendations, among others. 

“We will continue innovating and pushing boundaries in the technological aspect of influencer marketing and drive the next stage of evolution,” said Sharma.

Most recently, AnyMind Group announced the launch of the new features on its publisher platform, AnyManager, to help mobile and web publishers to tap on the continued growth of mobile usage. The company also announced a strategic partnership with Japan-based multi-channel network (MCN) UUUM to mutually utilize UUUM’s resources and AnyMind Group’s technology and data for influencer marketing and direct-to-consumer (D2C) offerings.