Singapore – The United International Pictures is bringing the ‘Jurassic World Rebirth’ to life through an out-of-home (OOH) experience in collaboration with EssenceMediacom and Asiaray Singapore. Celebrating the launch of the film, the campaign unveiled a fog screen activation, providing a unique experience for commuters.

Through the activation, commuters passing through Orchard MRT station can step into a prehistoric world through a cloud of fog that displays visuals from the upcoming film. The campaign comes ahead of the film’s premiere on July 2.

Launched on June 19, the fog screen technology aims to transcend traditional advertising by creating experiences, bringing innovation and creativity into the OOH scene.

The Jurassic World Rebirth installation runs until July 16 at the Thomson-East Coast Line, Orchard MRT.

Nicholas Yong, managing director of United International Pictures, said, “It’s not often that a media placement blurs the line between advertising and experience, and this activation offered just that. Our aim was to go beyond traditional advertising and create a moment that would stop people in their tracks.”

“We wanted to draw commuters into the world of the film—even if just for a few seconds—through something unexpected and memorable. And since this is a first-in-market activation, we’re even more excited to bring it to life. It represents a fresh and innovative way for us to connect with audiences, and it gives us a chance to do something a little different from the usual formats,” Yong added.

Muk Ho, client partner at WPP-Media-EssenceMediacom, commented, “This unconventional format stands out because it offers an immersive experience that traditional OOH can’t match. While most OOH spaces are one-dimensional, this format is dynamic and interactive, engaging audiences in a memorable way, which is crucial for a title like Jurassic World Rebirth. The Jurassic World is a universe that no one has ever experienced in real life. By creating this immersive OOH, we transport the audience to experience the World of Jurassic, before watching the movie on the big screen.”

Connie Tsui, general manager of Asiaray, said, “Asiaray’s introduction of the Fog Screen into the OOH media landscape is part of our broader strategy to create immersive and multisensory advertising experiences. This initiative is part of our broader “Offline and Online New Media Strategy”, which integrates physical media spaces with digital interactivity to create a seamless and engaging journey for audiences.”

The creative industry under pressure has become prone to sameness, often prioritising efficiency over depth and blurring the standards of originality. Amidst these complexities in the creative industry, some agencies are pushing back, asserting their boldness to create a lasting impact.

Since its establishment in 2009, The Secret Little Agency (TSLA) has become known for its creative solutions, creating ripples from its base in Singapore throughout Southeast Asia and beyond. It has worked with major brands, creating work that resonates with audiences.

In MARKETECH APAC’s latest Agency Leadership Decoded, Eunice Tan, group CEO at TSLA, shares how she leads with an approach that blends creativity and innovation, turning it into a culture. In the exclusive interview, Eunice details her philosophies that have helped define TSLA’s evolution as a creative agency.

Culture of innovation

At the heart of Eunice’s leadership is the belief that innovation is more than a function, but a condition fostered by the right environment.

“Innovation isn’t a department—it’s a culture. My core philosophy has always been to protect space and create safe spaces for creativity: space for strange ideas, untested instincts, wild experiments, and inconvenient truths. I believe in cultivating emotional intelligence alongside creative intelligence, because that’s where real innovation lives—not in performance mode, but in environments where people feel safe enough to be brave,” Eunice said.

This safe space at TSLA is not about comfort but about courage. Eunice shares how teams at TSLA are constantly challenged to ask, “What does the world need now?” and to answer it with imagination. 

TSLA’s culture of innovation breeds an important element for the agency: creativity. Its creative identity is inseparable from its cultural DNA. Under Eunice’s leadership, the agency has prioritised building a plural, human-centred creative culture.

“We’ve always believed that the secret to creativity is actually no secret at all—it’s culture. Our strategy has been to double down on creating the kind of culture we wish existed in the industry: creatively plural, emotionally generous, and intellectually sharp,” Eunice said.

Creative strategy at work

With TSLA’s creative vision, it has been translated into tangible platforms like JUNK, which explores cultural futures; Anak, which crafts brand storytelling; and PPURPOSE, which creates meaningful experiences.

“Our competitive advantage is our ability to move fluidly between disciplines – and remain deeply human throughout. We invest in talent who see no border between ideas,” Eunice said.

However, TSLA’s commitment to creative integrity does not come without difficult choices. As the industry grew safer and more transactional, Eunice and her team chose the harder path with courage.

“We challenged our leadership to be bolder, not smaller. That meant saying no to briefs that didn’t align with our values, yes to building new capabilities in-house, and a decisive pivot toward work that is ‘built-to-earn’—that not only drives culture but adds diversity to visual culture. It wasn’t easy—we had to rebuild muscle in new places—but it reminded us that we’re at our best when we’re fearless,” Eunice shared.

“Today, that decision has paid off: our teams are producing some of their most ambitious work, across both client and owned platforms,” she added.

Measuring success in people

While TSLA has brought home notable accolades, Eunice is quick to point out that the most meaningful milestones often go unawarded. While the agency has achieved milestones like branding Singapore, launching REAL, and JUNK, she highlighted ‘quieter’ achievements.

“The ones that matter most to me are the quieter ones: watching interns become leaders, watching formerly invisible talent find voice and power, seeing young creative talent find their voice. These moments remind the industry that creative excellence isn’t just output – it’s who gets to speak, what stories we value, and how we choose to build. Our impact is cultural, not just commercial,” Eunice said.

To future leaders, Eunice offers a guiding principle, stemming from her experiences at TSLA.

“Be brave enough to be different—and kind enough to bring others with you. The world doesn’t need more polished decks or award-chasing sameness. It needs creative leadership that’s generous, curious, and obsessed with relevance. Don’t chase category best practice. Build your own version of excellence, and protect it with everything you have.”

Eunice’s leadership ensures the agency is not reacting to culture but actively listening to it and shaping it.

“Get very, very good at listening—to culture, to people, to what’s unsaid. That’s where the real work begins,” Eunice said.

At a time when much of the industry leans toward the play-safe sameness, Eunice builds her vision and creative practice on conviction, cultural depth, and bold leadership. At The Secret Little Agency, the essence of creativity and innovation is not only found in outputs, but also in its people and culture.

Thailand – The Tourism Authority of Thailand (TAT) has launched its international ‘Be My Guest’ campaign, aiming to boost the nation’s cultural influence and tourism. The campaign is part of the government’s ‘Amazing Thailand Grand Tourism and Sports Year 2025’

TAT’s ‘Be My Guest’ campaign is part of Thailand’s ‘Soft Power’ initiative, positioning the nation as a premier tourism hub while harnessing cultural storytelling. To create economic value, the campaign leverages heritage while blending it with innovation, highlighting Thai experiences.

Running from June 26 to July 1, 2025, the campaign centres on two core programs: the ‘Be My Guest Soft Power Fam Trip’ and ‘Rhythm of Thailand’. It seeks to blend Thai heritage with modern content creation using strategic storytelling and experiential tourism.

The ‘Be My Guest Soft Power Fam Trip’ invites celebrities, embassy-nominated individuals, entrepreneurs, and influencers to explore curated routes in Samut Songkhram, Sukhothai, and Chanthaburi. These routes are designed under the ‘Thailand in the Box’ concept, immersing guests into Thai food, history, craft, and lifestyle.

Meanwhile, the Rhythm of Thailand initiative pairs ten global influencers from the US, UK, France, China, Italy, and South Korea with ten Thai creators. These duos will journey across diverse destinations like Sukhothai, Chanthaburi, Samut Songkhram, and Bangkok, exploring various Thai Soft Power themes such as Muay Thai, wellness, gastronomy, fashion, and traditional arts.

As part of the campaign, TAT is hosting the Amazing Thailand Saneh Thai Gala Night on June 30 at the Dusit Thani Hotel in Bangkok. The gala will showcase ‘5 Must Do in Thailand,’ featuring experiences in Thai cuisine, traditional craftsmanship, cultural heritage, iconic local products, and hidden gem destinations.

Thapanee Kiatphaibool, TAT governor, said, “This campaign is about more than tourism. We’re inviting the world to see Thailand through the eyes of those who live it – artists, chefs, creators, and communities. Be My Guest allows our heritage to speak for itself, sparking admiration through real stories and shared moments. This is where Soft Power becomes true influence – by forging connections through culture, creativity, and authentic collaboration.”

Nithee Seeprae, TAT deputy governor for marketing communications, commented, “We didn’t just bring influencers to Thailand – we gave them purpose. By designing meaningful collaborations and routes rooted in local identity, we’re helping them tell fresh stories that resonate across cultures. This is content creation with intent, spotlighting the charm of Thailand’s lesser-known gems and redefining how the world experiences our country.”

Thailand – The National Blood Centre and Thai Red Cross Society are inspiring a new generation of blood donors through an emotion-driven blood donation campaign. The new public service campaign was developed in partnership with SuthisakStudio, the Advertising Association of Thailand (AAT), and the Marketing Association of Thailand (MAT).

Seeking to spark social action amongst Gen Z, the ‘Blood Connect’ campaign is harnessing emotional storytelling and creativity to inspire a generation believed to be a powerful force. Through a two-minute film, the campaign encourages sustained blood donation for Gen Z, sparking a cultural shift towards regular contributions.            

The campaign is in response to the national demand for blood, while less than 3% of Thailand’s population donates.

The film’s narrative centres on Ek, a rebellious high school student, and Witthaya, a strict teacher. Their strained relationship undergoes change when Witthaya becomes critically ill and requires an urgent transfusion of a rare blood type. Ek and his friends unexpectedly step forward to donate, illustrating how blood can connect people.

Alongside the film, the ‘Blood Connect’ campaign will feature a series of videos starring prominent Thai public figures, including Dr. Wit Sittivaekin, Kongthap Peak, Oom Eisaya, and Win Metawin. These additional elements aim to amplify awareness and motivate young people across various platforms to donate blood.

Suthisak Sucharittanonta, creative lead and director, said, “The original brief—‘Blood Connect’—was already strong, but I wanted to dig deeper to find meaning that truly resonates. That’s where the idea ‘Blood Connects Us in Unexpected Ways’ came from. It became the emotional core of the film. We employed cinematic storytelling techniques—symbolic visuals, stylised cinematography, meticulous editing, and immersive atmosphere—to engage viewers from start to finish. The goal was to move people, not just inform them.”

Rati Panthawi, president of the Advertising Association of Thailand, commented, “We believe that great creativity has the power to create real change. Everyone involved shares a belief in the potential of younger generations to drive meaningful transformation. To engage Gen Z effectively, we need fresh storytelling formats and channels.”

Singapore – Arcc Assets, the specialised asset management arm of Arcc Holdings, has named creative digital agency 8traordinary as its social media agency of record. Following a competitive pitch, the appointment initiates a collaboration to revitalise Arcc Assets’ social media and content marketing efforts.

As Arcc Assets’ social media agency of record, 8traordinary will be responsible for the company’s content planning, production, social media management, and digital marketing. This strategic partnership aims to enhance the company’s brand awareness and engagement through a refreshed content plan and strategic direction.

Arcc Assets is recognised for its expertise in transforming properties into lifestyle spaces and its stewardship of conservation shophouses, contributing to neighbourhood revitalisation. It has two decades of experience in asset management with projects in markets such as Hong Kong, Kuala Lumpur, Shanghai, and Singapore.

This collaboration is not 8traordinary’s first venture into the real estate sector, having previously worked with clients like SingHaiyi on comprehensive branding projects. 8traordinary brings a diverse portfolio of brands and expertise in social, strategy, and branding.

Tony Chen, chief executive officer at Arcc Holdings, said, “Arcc Assets believes in the transformative potential of space. For the last 20 years, we have been focused on curating lifestyle spaces within historically rich locales, offering our tenants a vibrant heritage neighbourhood where they can grow and connect in socially meaningful ways. With 8traordinary’s robust track record in creative strategy, content production, and social media management, they’ve proven to be the right agency to introduce fresh perspectives to our specialised offerings.”

Jeffrey Lim, founder and managing director of 8traordinary, commented, “Stories are a communal currency of humanity. It connects people and shapes cultural understanding through the exchange of experiences, emotions, and knowledge. We are privileged to have Arcc Assets trust us to turn their stories into powerful means of fostering community and inspiring action.”

Singapore – The Central Narcotics Bureau (CNB) has unveiled real stories of drug abuse in its latest campaign with Edelman Singapore. Launched in time for Drug Victims Remembrance Day, the campaign aims to spread awareness of the harmful impact of drug abuse.

Exposing the reality of how drug abuse harms many victims, CNB and Edelman leveraged human-centric storytelling. 

At the heart of the campaign was ‘Museum of Us,’ an exhibition that highlighted stories of pain, love and recovery. Curated from real-life victims, the stories also powered social and online content.

The museum ran from May 16 to 18, inviting visitors for an emotive experience.

Alongside the exhibition, the campaign also featured a series of short films about victims’ narratives. It was co-developed with The Hummingbird Co.

While Edelman led the overall campaign, The Merry Men Works spearheaded the production of physical environments. This includes 8 pop-up installations and 34 information displays across Singapore.

Audrey Ang, director of communications at CNB, said, “This campaign was designed not just to raise awareness about the harms of drug abuse, but to reflect the emotional toll it inflicts on families and loved ones. We’ve seen how global narratives are increasingly shaping more permissive attitudes toward drug abuse and wanted to counter that by humanising the issue. Through real stories and emotionally grounded experiences, the campaign aimed to prompt deeper social and emotional understanding of the wider impact of drug abuse.”

“This campaign is a testament to the power of integrated communications. From insight to impact – We’re proud to have led this campaign from pitch to delivery. Combining strategy, creativity, production, and partnerships to deliver a message that connected deeply with audiences. CNB was a bold and collaborative partner in harnessing different creative approaches that invited reflection and empathy, connecting deeply with audiences,” Jonathan Ha, head of digital and integrated solutions at Edelman Singapore, commented.

Singapore – Shoppable videos have emerged as one of the highest converting advertising formats in Southeast Asia (SEA), according to a report from BPaaS company AnyMind Group. The report uncovers insights into how key SEA markets discover and purchase products in the digital environment.

AnyMind’s report examines consumer-to-brand interactions and behaviours across the awareness, consideration, and conversion stages. It also analyses ad performance across marketing channels, including digital, mobile, influencer, and e-commerce marketing.  

Insights from the report aim to assist brands and marketers in adapting and thriving in a connected, mobile-first world. It covers consumer behaviour from Singapore, Malaysia, Indonesia, Thailand, Vietnam, and the Philippines.

According to the report, shoppable videos are among the top converting formats, particularly in markets like the Philippines, Malaysia, and Indonesia. Providing a seamless path to purchase from product discovery, shoppable videos have outperformed traditional formats.

In-game advertising is also seen as one of the most effective drivers of awareness in SEA, especially when combined with social media and video platforms. According to the report, the three-channel digital mix can achieve over 40% reach across the region, accelerating brand visibility.

Additionally, SEA consumers are most responsive to video ads when they are delivered one to three days before a purchase. This window encourages users to act upon their intent, especially in markets like Malaysia and the Philippines.

Aditya Aima, managing director of growth markets at AnyMind Group, commented, “The increasing digital fragmentation across Southeast Asia means that brand-to-consumer engagement now occurs across a dynamic network of touchpoints, from in-game ads and short videos to livestream commerce and direct messages. As the landscape continues to evolve, businesses must stay updated to effectively optimise resources and deploy more strategically for incremental outcomes.”

Japan – Dentsu Inc. and Dentsu Anime Solutions Inc. have launched a new global brand, “dentsu anime solutions (das),” aimed at driving the overseas expansion and commercial growth of Japanese anime content.

The newly introduced ‘das’ brand is set to support the global growth of Japan’s anime industry and the business strategies of clients across North America, China, and Southeast Asia. It will offer anime-focused marketing solutions tailored to each region, contributing to both the international reach of Japanese companies and the business development of local partners.

The launch comes amid rapid global growth of the Japanese anime market, spurred by the widespread availability of streaming platforms. In response to this trend, dentsu is expanding its presence in the sports and entertainment domain, with the establishment of ‘das’ as a key initiative, alongside the development of regional operating hubs.

Dentsu has previously delivered anime-led marketing services through its Entertainment Business Centre, alongside producing original content and managing anime-related ventures. In 2022, it launched Manga Anime Growth Partners, an internal cross-departmental team to address the growing global demand for Japanese anime and manga. Dentsu Anime Solutions Inc. was later established in 2023 to focus on anime licensing and has worked closely with Dentsu Inc. since.

The ‘das’ brand brings together dentsu’s in-house anime experts and industry partners, drawing from years of marketing and promotional experience both domestically and abroad. This includes collaborations with global players such as Roblox Corporation, known for its immersive social gaming platform.

Through its three overseas hubs, ‘das’ will deliver integrated, anime-centric marketing strategies designed to support the regional promotion of Japanese anime and enhance the overseas visibility of client businesses.

The overseas hubs under the ‘das’ brand include dentsu anime solutions USA in North America, led by Sei Matsumoto, representative director and president of Dentsu Anime Solutions Inc.; dentsu anime solutions China, headed by Meng Xiaoxiao, managing director of DENTSU TEC IMAGINATION (Shanghai) Co., Ltd.; and dentsu anime solutions SEA in Southeast Asia, with leadership details to be announced.

In their official press release, dentsu said, “Going forward, we will work to further enhance and expand the sports and entertainment business domain in cooperation with all hubs and businesses in dentsu’s global network. Through the provision of “das” branded marketing solutions, dentsu will contribute to the global expansion of the anime industry and the growth strategies of its clients.” 

This year’s Cannes Lions has officially concluded, with Asia-Pacific showcasing a diverse number of campaigns across the region nabbing various awards from different categories–from film, industry craft, PR, and creative strategy. At the awards, Singapore’s ‘Vaseline Verified’ nabbed a Titanium while ‘The Best Place in the World to get Herpes’ campaign from the Herpes Foundation wins Grand Prix for Good.

In total, APAC is bringing a total of 118 Lions back home, a significant increase from 93 from Cannes Lions 2024, but still falling short of Cannes Lions 2023’s 123. India brought the most Lions home at 32, followed by Australia (28), New Zealand (18), Japan (13), and Singapore (12).

Without further ado, these are the full winners from APAC from Cannes Lions 2025:

CLASSIC

Audio & Radio

  • “Roobadge” (Volkswagen, DDB Sydney): Bronze > Audio-Led Creativity

Film

  • “Let There Be Cake” (KFC Thailand, Bananas): Gold > Travel, Leisure, Retail, Restaurants & Fast-Food Chains
  • “Telstra – Better on a Better Network” (Telstra, Bear Meets Eagle On Fire): Gold > Single-Market Campaign
  • “The Best Place in the World to Get Herpes” (New Zealand Herpes Foundation, Finch): Gold > Use of Humour
  • “The Comments Section” (Meat & Livestock Australia, Droga5 ANZ, Part Of Accenture Song): Silver > Viral Film
  • “Night Fishing” (Hyundai, INNOCEAN): Silver > TV/Cinema Film
  • “Go Further” (7-Eleven, Clemenger BBDO): Bronze > Consumer Goods
  • “Together is For Christmas” (Telstra, Bear Meets Eagle On Fire): Bronze > Consumer Services/Business to Business
  • “Call Me When You Need Me” (Vivo, HAVAS Beijing): Bronze > Consumer Goods
  • “Gambol ‘Dare to Step’” (Gambol, YDM Thailand): Bronze > Local Brand
  • “Steal” (Mandaue Foam Home Centre, GIGIL): Bronze > Challenger Brand
  • “Himala” (RC Cola, GIGIL): Bronze > Single-Market Campaign
  • “Telstra – Better on a Better Network” (Telstra, Bear Meets Eagle On Fire): Bronze > Use of Humour

Outdoor

  • “Lucky Yatra” (Indian Railways, FCB India): Gold > Social Behaviour
  • “Balikbayan Magic: Philippine Oriental Food Market” (Coca-Cola, VML): Silver > Social Behaviour
  • “Nature Shapes Britannia” (Britannia Industries Ltd., Talented): Silver > Breakthrough on a Budget
  • “Too Yumm To Cheer!” (Too Yumm!, FCB Kinnect): Silver > Breakthrough on a Budget
  • “Chai Bansuri – The Tea Flute” (Unilever, Ogilvy): Bronze > Live Advertising and Events
  • “Worst Children’s Library” (Samsung, DDB New Zealand): Bronze > Interactive Experiences
  • “Lucky Yatra” (Indian Railways, FCB India): Bronze > Transit
  • “Awkboards” (Life Pharmacy, FCB New Zealand): Bronze > Use of Humour
  • “VI Guardian Beads” (VI [Vodafone Idea], Ogilvy): Bronze > Cultural Engagement

Print & Publishing

  • “Ink of Democracy” (Times of India, Havas): Gold > Corporate Purpose & Social Responsibility
  • “Jordan 23” (NBA India, Leo): Bronze > Travel, Leisure, Retail, Restaurants & Fast-Food Chains
  • “Shaq 34” (NBA India, Leo): Bronze > Travel, Leisure, Retail, Restaurants & Fast-Food Chains
  • “Kobe 8” (NBA India, Leo): Bronze > Travel, Leisure, Retail, Restaurants & Fast-Food Chains
  • “Lebron 6” (NBA India, Leo): Bronze > Travel, Leisure, Retail, Restaurants & Fast-Food Chains

CRAFT

Design

  • “Sad Kama-Chan” (B&Q, Grey Thailand): Bronze > Design-Driven Effectiveness
  • “Packed Full of History” (Samsung, Clemenger BBDO): Bronze > Special Editions & Bespoke Items
  • “Eye Test Menu” (Titan Company Ltd., Ogilvy): Bronze > Posters
  • “Roobadge” (Volkswagen, DDB Sydney): Bronze > Innovation in Design
  • “Project Voice” (Google, Google Tokyo): Bronze > Inclusive Design
  • “Signs from Heaven” (Pangu Cloud, Ogilvy): Bronze > Design for Behavioural Change

Digital Craft

  • “Saltanat Light” (Citix, GForce): Silver > Real-Time Contextual Content
  • “Interface of Humanity: Powered by NTT” (NTT, Dentsu Tokyo): Bronze > UX & Journey Design
  • “Body Swap” (Netflix, AKQA): Bronze > Experience Design: Multi-Platform

Film Craft

  • “Telstra – Better on a Better Network” (Telstra, Bear Meets Eagle On Fire): Grand Prix > Animation
  • “Donkey” (Telstra, Revolver): Gold > Direction
  • “Telstra – Better on a Better Network” (Telstra, Bear Meets Eagle On Fire): Gold > Production Design/Art Direction
  • “Donkey” (Telstra, Revolver): Silver > Production Design/Art Direction
  • “Fight for Thais’ Gut” (Dutchie, Ogilvy): Bronze > Casting
  • “The Shoemaker” (Telstra, Revolver): Bronze > Production Design/Art Direction

Industry Craft

  • “Eye Test” (1001 Optometry, VML) Gold > Art Direction
  • “Eye Scan” (1001 Optometry, VML) Gold > Art Direction
  • “Eyecare” (1001 Optometry, VML) Gold > Art Direction
  • “No Labels” (Nikka Whiskey, Dentsu Inc.): Gold > Photography: Brand & Communications Design
  • “Make Love Last – Bedroom” (Viatris, Ogilvy): Bronze > Photography: Outdoor
  • “Make Love Last – Living Room” (Viatris, Ogilvy): Bronze > Photography: Outdoor

ENGAGEMENT

Creative Data

  • “Acko Tailor Test” (Acko, Leo): Gold > Creative Data Collection & Research
  • “Sato 2531” (Asuniwa, Dentsu Global): Gold > Cultural Engagement

Direct

  • “Lucky Yatra” (Indian Railways, FCB India): Gold > Local Brand
  • “Certified Toasters” (Goodman Fielder Baking, DDB New Zealand): Silver > Small-Scale Media
  • “Sad Kama-Chan” (B&Q, Grey Thailand): Silver > Small-Scale Media
  • “Vaseline Verified” (Unilever, Ogilvy): Silver > Co-Creation & User-Generated Content
  • “Ink of Democracy” (Times of India, Havas): Bronze > Social Behaviour

Media

  • “Vaseline Verified” (Unilever, Ogilvy): Gold > Healthcare
  • “Takeoff Takeover” (Cathay Group, Leo): Silver > Use of Outdoor
  • “Vaseline Verified” (Unilever, Ogilvy): Silver > Audience Insights
  • “Legacy Lager” (Legacy Australia, VML): Silver > Social Behaviour
  • “Export Ultra Cold Call Back Service” (Export Ultra, Carat): Silver > Local Brand
  • “Eye Test Menu” (Titan Company Ltd., Ogilvy): Bronze > Healthcare
  • “Ink of Democracy” (Times of India, Havas): Bronze > Use of Print
  • “Reshaping Rugby: The World’s First TikTok Final” (2Degrees, TBWA\New Zealand): Bronze > Use of Mobile
  • “Garuda Rakshak” (DSP Mutual Funds, Dentsu Creative): Bronze > New Realities & Emerging Tech
  • “Certified Toasters” (Goodman Fielder Baking, DDB New Zealand): Bronze > Retail Media
  • “Nature Shapes Britannia” (Britannia Industries Ltd., Talented): Bronze > Breakthrough on a Budget
  • “Time To Live” (Cancer Research, The Ministry for Communications & The Arts): Bronze > Breakthrough on a Budget
  • “Safe Sketch” (Save The Children, Cheil Hong Kong): Bronze > Corporate Purpose & Social Responsibility
  • “Heinz Roller Shutter” (Heinz, Kraft Heinz): Bronze > Small-Scale Media

PR

  • “Lucky Yatra” (Indian Railways, FCB India): Grand Prix > Travel, Leisure, Retail, Restaurants & Fast-Food Chains
  • “Lucky Yatra” (Indian Railways, FCB India): Gold > Local Brand
  • “Vaseline Verified” (Unilever, Ogilvy): Silver > Community Management
  • “36 Months” (36 Months, Supermassive): Silver > PR Effectiveness
  • “Sato 2531” (Asuniwa, Dentsu Global): Silver > Research, Data & Analytics
  • “Lucky Yatra” (Indian Railways, FCB India): Silver > Social Behaviour
  • “Vaseline Verified” (Unilever, Ogilvy): Bronze > Social Engagement
  • “Sato 2531” (Asuniwa, Dentsu Global): Bronze > Single-Market Campaign
  • “Unfreeze My Rights” (Awakening Foundation, Dentsu Creative Taiwan): Bronze > Single-Market Campaign
  • “Export Ultra Cold Call Back Service” (Export Ultra, Special): Bronze > Use of Humour
  • “Box to Beds” (Amazon, Ogilvy): Bronze > Cultural Engagement

Social & Creator

  • “Vaseline Verified” (Unilever, Ogilvy): Grand Prix: Community Building
  • “Erase Valentine’s Day” (Mondelez International, Ogilvy): Gold > Use of Humour
  • “Vaseline Verified” (Unilever, Ogilvy): Silver > Healthcare
  • “The Ordinary Life Hearing Test” (The Foundation for the Deaf, CJ WORX): Silver > Content Placement
  • “Bassi vs. Men’s Facewash” (Garnier L’Oreal, BBH India): Bronze > Use of Humour

ENTERTAINMENT

Entertainment

  • “Night Fishing” (Hyundai, INNOCEAN): Grand Prix > Fiction Film: 5-30 minutes
  • “Make New Zealand The Best Place in the World to Get Herpes” (New Zealand Herpes Foundation, Motion Sickness): Bronze > Use of Humour

Entertainment Lions for Gaming

  • “Project: Memory Card” (PlayStation, Six Inc.): Silver > Audio-Visual Content

Entertainment Lions for Music

  • “The Girl Who Played The Tutari” (Coca-Cola, VML): Silver > Cultural Engagement

Entertainment Lions for Sports

  • “Avani’s Gold” (Britannia Marie Gold, Talented): Silver > Brand Storytelling

EXPERIENCE

Brand Experience & Activation

  • “Lucky Yatra” (Indian Railways, FCB India): Gold > Customer Acquisition & Retention
  • “Roobadge” (Volkswagen, DDB Sydney): Silver > Automotive
  • “Time To Live” (Cancer Research, The Ministry for Communications & The Arts): Silver > Breakthrough on a Budget
  • “Certified Toasters” (Goodman Fielder Baking, DDB New Zealand): Bronze > Customer Acquisition & Retention
  • “Eye Test Menu” (Titan Company Ltd., Ogilvy): Bronze > Brand-Owned Experiences
  • “Worst Children’s Library” (Samsung, DDB New Zealand): Bronze > Social Behaviour
  • “Acko Tailor Test” (Acko, Leo): Bronze: Corporate Purpose & Social Responsibility

Creative Business Transformation

  • “Lucky Yatra” (Indian Railways, FCB India): Gold > Targeting, Insights & Personalisation
  • “Building A More Resilient Australia” (Suncorp, Leo): Silver > Long-Term Brand Platform

Creative Commerce

  • “Lucky Yatra” (Indian Railways, FCB India): Gold > Customer Acquisition & Retention
  • “Sad Kama-Chan” (B&Q, Grey Thailand): Gold > Customer Acquisition & Retention
  • “Certified Toasters” (Goodman Fielder Baking, DDB New Zealand): Bronze > Social Behaviour

GOOD

Glass: The Lion For Change

  • “Heralbony” (Heralbony): Gold > Product/Service

Grand Prix for Good

  • “The Best Place in the World to Get Herpes” (New Zealand Herpes Foundation, Finch): Grand Prix for Good

Sustainable Development Goals

  • “Ariel #ShareTheLoad (10 Years) (Ariel, BBDO India): Silver > Long-Term Brand Platform
  • “The Best Place in the World to Get Herpes” (New Zealand Herpes Foundation, Finch): Bronze > Good Health and Well-being

HEALTH

Health & Wellness

  • “Vaseline Verified” (Unilever, Ogilvy): Grand Prix: OTC Applications – Social & Creator
  • “The Best Place in the World to Get Herpes” (New Zealand Herpes Foundation, Finch): Gold > Non-profit/Foundation-led Education & Awareness – Entertainment
  • “Naga Saint Eye Test” (Eyebetes Foundation, Godrej Creative Lab): Silver > Non-profit/Foundation-led Education & Awareness – Direct
  • “Interface of Humanity: Powered by NTT” (NTT, Dentsu Tokyo): Bronze > Health & Wellness Tech – Use of Technology
  • “The University of Dyslexic Thinking” (Made by Dyslexia x Virgin, DDB Melbourne): Bronze > Non-profit/Foundation-led Education & Awareness – Integrated
  • “Visiongram” (Japan Blind Judo Federation, Dentsu Inc.): Bronze > Non-profit/Foundation-led Education & Awareness – Use of Technology

Lions Health Grand Prix for Good

  • “The Best Place in the World to Get Herpes” (New Zealand Herpes Foundation, Finch): Lions Health Grand Prix for Good

Pharma

  • “Make Love Last – Bedroom” (Viatris, Ogilvy): Grand Prix > Unbranded Product or Service Promotion – Film Craft: Cinematography
  • “Dawai Reader” (Alkem Laboratories, Lowe Lintas): Silver > Healthcare Professional Engagement – Healthcare Product Innovation

STRATEGY

Creative Effectiveness

  • “No Smiles” (McDonald’s, TBWA\HAKUHODO): Silver > Market Disruption
  • “Transition Body Lotion” (Unilever, Ogilvy): Bronze > Market Disruption

Creative Strategy

  • “Sato 2531” (Asuniwa, Dentsu Global): Gold > Data & Analytics
  • “The Hidden Eye Test” (1001 Optometry, VML): Bronze > Travel, Leisure, Retail, Restaurants & Fast-Food Chains
  • “Sato 2531” (Asuniwa, Dentsu Global): Bronze > Cultural Engagement
  • “Transition Body Lotion” (Unilever, Ogilvy): Bronze > Products/Services

Philippines –  Communications consultancy Mutant has launched its office in the Philippines. This move expands the agency’s regional footprint and sharpens its presence across Southeast Asia, marking a key milestone in its growth strategy. 

Setting foot in the Philippines, Mutant aims to bring its strategic, creative, and results-driven communications approach to the market.

Dev Atinaja and Luckie Masbad are set to lead Mutant’s Philippine operations as its PR directors. They will be responsible for local strategy, client success, and business development in the market.

Atinaja brings her expertise in consumer storytelling and brand building to her new role. She has led campaigns for brands such as Lazada, McDonald’s, Epson, Nestlé, Bosch, adidas, and SM Supermalls.

Meanwhile, Masbad brings a multidisciplinary approach with her experience in social media, events, ATL campaigns, and client servicing.

Mutant’s entry into the Philippines reinforces its position as a regional agency. The firm delivers integrated communications based on local insight, business intelligence, and measurable impact.

Joseph Barratt, CEO at Mutant, said, “The Philippines is a vibrant, fast-evolving market with so much untapped potential for brands to build real connections to a strong media landscape and digitally-savvy consumers. What’s needed now is communications that are smart, strategic, creative, and commercially meaningful—and that’s exactly what we’re here to deliver. With Dev and Luckie at the helm, we’re bringing top-tier talent and sharp local understanding, and the kind of energy that makes Mutant who we are as a regional agency.”

“The PR landscape here is shifting fast—with the rise of the creator economy and evolving media consumption, brands need to be bolder and more strategic in how they show up and get their messaging across. Mutant’s approach is rooted in strategy, creative and real outcomes, and I’m excited to bring that mindset to local brands looking to grow with impact,” Atinaja commented.

Masbad said, “At the heart of what we do is helping brands to connect with the right people; it’s not just about visibility anymore. It’s about creating authentic moments that spark action and loyalty, crafting communications that work on a local level, but also align with brands’ broader regional or global goals. This is the beginning of a new chapter for Mutant and for PR across the Philippines.”

Mutant was initially launched in 2012, with established offices in Singapore, Malaysia, Indonesia, and Thailand.