Singapore – Beginning on October 16 in honour of The Walt Disney Company’s 100th anniversary, social media platform TikTok would be collaborating with Disney for a  first-of-its-kind destination within TikTok that invites Disney fans to a unique interactive experience where stories, magic and memories come together.

Through TikTok, fans will be able to watch videos from across Disney’s brands, create their own videos with Disney music and effects, play Disney trivia, and collect and trade “Character Cards” of characters to win unique profile frames to show off their fandom.

With more than 48 Disney handles participating, the four-week activation will be live in 24 regions around the globe, highlighting the breadth of content from The Walt Disney Company. Fans of Disney, Pixar, Star Wars, Marvel, ESPN, National Geographic, Disney Parks and beyond can expect daily reminders of why they connected with their favourite characters, franchises, movies, and Disney memories.

In addition, TikTok is curating a special Disney100 Playlist for our community featuring some of the most popular hits from the Disney catalogue, including songs from classic movies like ‘Cinderella’ and ‘The Lion King’, as well as the upcoming ‘Wish’, alongside hits from the likes of ‘Toy Story’ and ‘High School Musical’.

Nicole Iacopetti, global head of content at TikTok, said, “The Walt Disney Company has an incredible legacy of bringing joy and excitement to a global community through its iconic films and TV series, heartwarming characters, thrilling parks and memorable brands.”

“We’re thrilled to partner with Disney to celebrate the company’s undeniable impact on entertainment and on families around the world, starting by giving TikTok’s passionate community of Disney fans unique access to content and experiences they can’t find anywhere else”, she added.

Jakarta, Indonesia – Following the recent regulation by the Indonesian government on the use of social media for e-commerce transactions, TikTok Shop has finally announced that it is shutting down its local operations in accordance with local orders.

“Our priority is to remain compliant with local laws and regulations. As such, we will no longer facilitate e-commerce transactions in TikTok Shop Indonesia by October 4, and will continue to cooperate with the relevant authorities on the path forward,” TikTok said in a press statement.

The ban follows a recent government regulation which prohibits the use of social media for e-commerce transactions, adding that it’s aimed at quashing e-commerce sellers that are purportedly abusing pricing tiers on social media to promote their products.

Following this, a question arises: is there still hope for social commerce in Indonesia?

Social commerce will still exist–even with regulations

For Rolly Pane, managing director for Indonesia at Clozette, despite the new regulations, social commerce will still be around, as the new regulations only prohibits having social media and e-commerce inside one app.

“Social commerce can still be done, promoting products in social and driving people to e-commerce. The only difference is that it will not happen in one ecosystem or app. It just has to cross over apps,” Pane told MARKETECH APAC.

However, he noted that with this regulation, there would be a significant drop in e-commerce transactions which originated from social media posts and engagements.

“The biggest downfall is that there will be a larger amount of drop-offs when it is cross-app compared to being in one ecosystem or app,” he said.

Despite all of thise, Pane says that brands can still implement alternative strategies to make their social commerce strategies still stand out.

“Promotion of products will still be done as it is being done now. The only difference is that when the promotions are clicked, it will no longer be in the same ecosystem. It will drive the consumers to a different ecosystem / app to conduct the transactions,” he concluded.

Who loses this game? Merchants or consumers?

Meanwhile, Anish Daryani, founder and president director at M&C Saatchi Indonesia explained that with 2024 being an election year in Indonesia, showing support for MSME’s by securing their interest is considered as an important move by the government.

It is worth noting that the government said that the new regulations aims to protect the interests of micro, small and medium enterprises (MSME’s), given the lack of adoption of digital platforms on their part, and inability to compete with what has been labelled as ‘predatory pricing’ on social platforms.

“On the brighter side, the regulation removes ambiguity from e-commerce and provides clear guidelines towards the dos and don’ts of running e-commerce businesses, which [was] long overdue,” he said in an exclusive interview with MARKETECH APAC.

However, Daryani notes that other local merchants who have long utilised social commerce will ‘lose’ in this game, who have used it to connect with their patrons. He also added that with the new regulations, the livelihood of about 6 million social sellers and 7 million affiliates on TikTok Shop alone were hugely affected.

He also stated that end consumers are also affected as well, whose support to their social commerce merchants were the driving force behind their success.

“In my view, the biggest loser in this regulation, however, is the end consumer, who would now be deprived of exciting prices that were sometimes too good to be true, and discovering great quality products from skilled entrepreneurs, which in itself was a massive support for local businesses,” Daryani added.

Social commerce barely scratches the surface of the local industry

Despite all of these regulations, Daryani believes that social commerce will continue to move forward in Indonesia, adding that there is more growth for the Indonesian social commerce scene, compared to more mature markets like of China’s.

“Though this regulation would bring social commerce to a stop, there is no stopping commerce from becoming more social,” he quipped.

Looking at the issue from an agency perspective, Daryani believes that continued social media communication will still help amplify e-commerce, with social media and e-commerce now serving separate purposes in the customer purchase journey.

“From a communications perspective, digital content will still continue to fuel demand for products and services through the upper funnel (awareness and consideration), while the objectives of the lower funnel (purchase, retention and advocacy) would be met by e-commerce platforms,” he said.

He also added, “The use of influencers to review and recommend products will continue to expand. Overall, this would make discoverability of content more organic, so the quality of content would have to be better going forward.”

Jakarta, Indonesia – The Indonesian government has officially prohibited the use of social media for e-commerce transactions, a move that was previously hinted by President Joko Widodo several days ago.

For the government, the move is aimed at quashing e-commerce sellers that are purportedly abusing pricing tiers on social media to promote their products, a move that officials say ‘kills’ offline merchants.

“What the people are expecting is that the advancement of technology can create new economic potential, not kill existing economies,” President Widodo previously said.

In a recent announcement, Trade Minister Zulkifli Hasan has noted that social media can be only used to promote things, not use it as an avenue for online transactions.

“Social commerce is only allowed to facilitate the promotion of goods or services, not direct transactions. Direct payment is no longer allowed, it is only allowed for promotion,” he said.

Several Indonesian officials have said that TikTok is one of these platforms where social e-commerce is mostly practiced.

Previously, TikTok Indonesia clarified that its latest shop-centric initiative, ‘Project S’, will never be launched in the market, and that they do not intend to become a retailer or wholesaler that will compete with sellers in Indonesia.

Asia Pacific – Social media app TikTok and international advertising agency TBWA have announced the release of a new joint whitepaper titled “Storytelling in the Next Creative Renaissance”, which encourages businesses to embrace the role of creativity and innovation in contemporary marketing. 

This key initiative by TikTok and TBWA aims to elevate industry standards and deliver insights that enable businesses to thrive amidst rapid changes in the digital landscape. 

The whitepaper highlights the significance and potency of everyday creativity by leveraging the power of the cultural zeitgeist (spirit of the time) through storytelling while exploring its various applications on and off TikTok. It provides an in-depth look at the crucial role creativity and innovation play in contemporary marketing strategies. 

The whitepaper also shared how brands that have broken away from ‘best practises’ are being rewarded by having discovered the possibilities on newer platforms. These brands are disrupting category conventions, capturing attention, creating on-going value, and gaining recognition.

Another thing highlighted in the whitepaper is the enormous potential for brands to influence across subcultures, as many of these subcultures already have global reach. As the brand’s relevance expands, so will the brands already connected to it.

Therefore, while there may be temptation for brands to hitch themselves to whichever niche has the greatest potential for growth, they should instead engage with subcultures that share their worldview. By joining these conversations authentically, brands now have a shortcut to word-of-mouth promotion. 

Furthermore, brands should harness the tech-enabled tools available to supercharge creative minds and tell stories at scale so executions can be upgraded quickly, giving assets new value or streamlining the creation of bespoke content. 

In line with this, TikTok has also developed and deployed a ‘Recut, Remix, Reimagine’, framework to foster creativity amongst brands and marketers on its platform. Under this framework, TikTok aims to encourage them to go beyond conventional marketing paradigms that will increase their creative output with the help of technology and also fine-tune it to align with targeted audiences and distinct subcultures. 

As the whitepaper emphasises, marketers who study digital platforms not only acquire valuable cultural insights but also position themselves to effectively benefit from marketing innovation.

As outlined by TikTok and TBWA in the whitepaper, we’re entering the era of the new creative Renaissance, where fostering meaningful connections is paramount. Rather than diminishing creative ideation due to budget constraints, brands and marketers should consider optimising other operational processes to reap the most from their marketing strategies.

Tessa Conrad, head of innovation at TBWA Asia, said, “What your brand stands for, what it offers people, and what it makes people feel, results in a community to connect and create with rather than just an audience to speak to.”

Meanwhile, Ng Chew Wee, head of business marketing for Asia Pacific at TikTok, said, “81% of our users take actions such as purchasing a product or seeking more information after watching a TikTok video. This suggests that brands creating relevant, engaging content have a genuine chance to directly influence consumer behaviour.” 

Singapore – TikTok has recently announced the launch of the ‘Scam Prevention Edition’ of its Digital Wellness Hub with the goal of providing users with the resources and knowledge to navigate the digital world safely. 

Introduced in collaboration with the Ministry of Home Affairs (MHA), the National Crime Prevention Council (NCPC), and the Singapore Police Force (SPF), this initiative aligns with TikTok’s dedication to creating a reliable and secure digital environment for its platform users.

With the Scam Prevention Edition, TikTok will contribute to local scam education and reinforce MHA’s anti-scam ACT (Add, Check, Tell) framework to translate anti-scam awareness into actions. 

This endeavor merges education and entertainment to facilitate engagement with users of all ages on the platform. TikTok will deploy educational messages on scam prevention through various initiatives such as raising awareness through scam identification and prevention challenges as well as a  ‘Shop Safe’ tab that allows users to access educational videos on identifying scams and how to shop safely.

Teresa Tan, head of public policy at TikTok Southeast Asia and Singapore, said, “TikTok has a zero-tolerance approach to any form of scam-related content on our platform. We have implemented policies to guard against scams and take strict enforcement action upon detection. Through the Scam Prevention Edition of the Hub, we hope to strengthen the resources available and build understanding within the community on how it takes a joint effort to keep our platform safe.”

Meanwhile, Gerald Singham, chairman of the Singaporean National Crime Prevention Council, commented, “We are excited to be part of the Scam Prevention Edition of TikTok’s Digital Wellness Hub, which provides useful scam prevention resources to help Singapore residents protect themselves against scams. Through this partnership, we hope to not only raise awareness but also encourage more individuals to take ACTions against scams.”

These efforts are an extension of educational resources available on the Digital Wellness Hub, which was launched in 2022 and anchors all of TikTok’s initiatives around mental wellbeing, cyber wellness, user safety and more.

Singapore – Despite an overall decline in overall engagement on Instagram, the platform still delivers the highest engagement rates for brands compared to Facebook and Twitter. More specifically, brand usage of the platform’s Reels features has risen to 86% this year, according to the latest data from unified customer experience platform Emplifi.

According to the data, despite only 11% of these ads are Reels placements—still, 87% of brands used Instagram Reels for ad placements, at least once in Q2 2023, representing a 26% increase year-over-year.

The rise in Instagram Reels usage amongst brands is also amidst Reels engagement trending downward for the last five quarters, dropping 30% year-over-year in Q2 2023. The competition for engagement on the platform is steep, not to mention the recent deprioritization of Reels by Meta, Instagram’s parent company. 

“These data points make clear how important it is for brands to diversify their social content, embracing more than one channel for their video marketing efforts,” the report stated.

Meanwhile, in comparison to popular platform TikTok, Instagram Reels is still outperforming TikTok content when comparing median reach, median interactions, and median video views. Meanwhile, TikTok wins in terms of median engagement rates when compared to Instagram Reels. 

In addition, while Instagram Reels are exploding, Facebook Reels are not seeing the same traction. In APAC, Facebook Live Video dominates all other video content on the platform, earning nearly four-times the number of interactions compared to static video posts.

The report also noted that Facebook Reels have not been around as long as Instagram Reels, having been released two years after Instagram launched its most popular video format. As more brands cross-post their Instagram Reel content to Facebook, marketers may see a shift in engagement.

Lastly, with all the recent changes happening at Twitter, the platform has been a hot topic among social media marketers and advertisers. For APAC brands wanting to make the most of their activity on the social network, Emplif’s data found that Tweets containing GIFs earned 2.4-times as many interactions as those with links and 1.85-times more than text-based status updates.

Zarnaz Arlia, chief marketing officer at Emplifi, said, “Because the social media landscape is evolving and changing at such a rapid pace, it’s crucial marketers have access to insights that can help them earn the biggest bang for their marketing bucks. A key insight from this report is that despite an ongoing decline in engagement on Instagram last quarter, the platform still delivers the highest engagement rates for brands compared to Facebook and Twitter.”

She added, “It is time marketers fully embrace their video efforts, and that means everything from Instagram Reels and Facebook Live Video to TikTok content and even GIFs on Twitter. Short-form video is exploding and the brands that lean into this trend will gain a major competitive edge. As a leading customer engagement platform, we know that implementing a successful video strategy takes time. That’s why we devote so much of our efforts to creating these reports and sharing this data—we want to help marketers by giving them a headstart on developing social media strategies that will deliver measurable impact.”

Singapore – TikTok has announced a multi-million dollar investment that will be aimed at helping SMBs transition their businesses online and participate in the digital economy. A total of US$12.2m will be used to deliver cash grants, digital skills training, and advertising credits for SMBs, including micro businesses in rural and suburban areas. 

This comes as TikTok continues to grow as a valuable platform for businesses and creators. According to research by the platform, SMBs polled increased their revenue by nearly 50% through selling their products and services on TikTok, and close to four in five businesses (79%) transitioned from offline to online marketing channels using the platform.

“Across Southeast Asia, more than 325 million people come to TikTok every month and 15 million businesses use the platform. The role we’ve played in expanding economic opportunities, education and community-building in this region and around the world is immense. We are excited to see the positive impact TikTok has had and are committed to continuing the work of helping individuals, communities, and businesses grow and thrive,” said Shou Chew, CEO of TikTok. 

Amongst the initiatives TikTok has planned for the SEA region is the ‘Support Local’ programme where over the next three years, it aims to empower micro and small businesses, particularly those in rural areas, who may be new to social commerce. Partnering with more than 25 government agencies and non-profit organisations across the region, the programme will give businesses the opportunity to reach new digital consumers through cash grants, digital skills training, and advertising credits.

In Indonesia, it will be partnering with the Ministry of Tourism and Creative Economy, Asosiasi Pusat Pengembangan Sumberdaya Wanita (PPSW), Platform Usaha Sosial (PLUS), and Telkom to launch TikTok Jalin Nusantara. Said initiative will establish internet connectivity in community hubs across nine rural villages in East Nusa Tenggara and North Sumatra. Besides strengthening the local digital infrastructure, TikTok Jalin Nusantara will offer training programmes in these villages, as well as in five creative hubs in key tourism and creative economy centres and five Telkom IndigoHubs. 

A partnership is also on the horizon within the Bangkok market which will further support TikTok as a learning platform for users. The company has collaborated with social enterprise Kid Kid, the Ministry of Natural Resources and Environment, and Bangkok Metropolitan Administration to raise environmental awareness and action amongst youth in Thailand. This includes educational workshops and challenges on everyday sustainable lifestyle choices, such as waste segregation and energy consumption. The programme is also in line with the company’s goal of increasing educational climate content and achieving operational carbon neutrality by 2030.

Beyond on-platform education, TikTok will continue to develop the next generation of entrepreneurs, particularly youth who may not have equal access to economic opportunities. In partnership with ASEAN Foundation, the Social Enterprise Development Programme will provide capacity building, mentorship, facilitation to market, and seed funding of up to US$320,000 to 20 youth-led social enterprises in the region, contributing to UN Sustainable Development Goals in Southeast Asia.

“In just over six years, we have created new avenues for income generation for both creators and businesses on the platform. We have also introduced e-commerce channels such as TikTok Shop, which allows SMBs to connect with new consumers and grow their businesses,” said Teresa Tan, head of public policy for Southeast Asia. 

“Our mission to inspire creativity and bring joy is firmly rooted in our desire to enable discovery, growth, and connections among individuals and communities in Southeast Asia. Today’s newly-formed partnerships and initiatives will expand our efforts to empower micro and small businesses who may face limited access to digital resources and opportunities. We are grateful for the support we’ve received throughout the region and are excited about the future impact we can make together,” added Tan. 

With a workforce of close to 8,000 employees across the region, TikTok also shared that it is committed to investing in developing local talent. Initiatives such as the regional TikTok Shop Graduate Development Programme, aimed at building talent for the e-commerce industry, and Singapore’s TikTok Tech Immersion technical boot camp for tertiary-level students, offer opportunities for young tech talent to thrive. 

Singapore – Integral Ad Science (IAS) has announced that it is expanding its partnership with social media platform TikTok, bringing its ‘Total Media Quality’ brand safety and suitability measurement product to advertisers in 23 new markets.

This will be available in the Asia-Pacific markets of Indonesia, Japan, Malaysia, New Zealand, Philippines, Taiwan, Thailand, and Vietnam.

This expansion further cements IAS’s deep partnership with TikTok and adds to the seven countries where brand safety and suitability measurement went live in October 2022. IAS’s comprehensive coverage reflects the ever-growing popularity of TikTok worldwide and the demand from marketers to have the most actionable data to deliver the biggest return on their advertising spend.

IAS’s ‘Total Media Quality’ for TikTok uses artificial intelligence (AI) to provide unique insight into video content through frame-by-frame analysis of images, audio, and text, and can even interpret semantics. This granularity gives marketers the ability to effectively monitor the quality of their media buys on TikTok, providing confidence that their ads are appearing next to content that is brand safe and suitable.

Lisa Utzschneider, CEO at IAS, said, “IAS’s Total Media Quality for TikTok is powered by advanced AI-driven technology that analyzes video content with extraordinary depth, giving advertisers unmatched insights to run the most effective advertising campaigns.”

She added, “This expanded partnership with TikTok is a strong vote of confidence that advertisers around the world rely on IAS to deliver powerful results.”

Meanwhile, Chen-Lin Lee, global head of measurement and data partnerships at TikTok, commented, “TikTok is committed to building a safe environment where communities can express themselves and be entertained. We are excited to expand our partnership with IAS and offer brands around the world best-in-class reporting to ensure video-level transparency in dozens of languages and countries. We look forward to continued collaboration in providing transparency and confidence in TikTok’s ability to present brand messages in safe and suitable environments.”

Sydney, Australia – Ogilvy Network ANZ has announced the launch of TK.Lab, a centralised and end-to-end specialist capability that aims to help brands deliver impact and reach new audiences on TikTok. 

TK.Lab will develop organic, paid, and creator-led TikTok strategies for local and global brands operating in the region. Capabilities include strategy, creative, sound, media, commerce, influence, and intelligence provided by a team of specialists from across the Ogilvy Network.

“Most marketers are aware of TikTok’s massive potential and are keen to engage with its highly engaged audience and active communities, launching or scaling their brand presence on the platform. We have the know-how and want to help our clients master the specific codes of TikTok, find true cultural resonance and create impact,” said Dan Young, managing director for consumer PR and influence at Ogilvy.

“TK.Lab combines expertise and talent from across Ogilvy with a creator network and redesigned agency and creative workflows that align with the pace and cultural pulse of TikTok. With millions of monthly users in Australia, high rates of engagement and relatively unique audience, the opportunities for brands that get it right are significant.”

TK.Lab will integrate proprietary data and intelligence tools, including Trends Tracker and Karma, which analyse brand performance on the platform, with a suite of products and solutions that educate and inspire marketing teams as they begin their journey onto the platform. 

Ogilvy will leverage its close connections with marketing and creative teams at TikTok and the TK.Lab Creator Network – a community of over 30 AUNZ TikTok creators that can be deployed quickly to co-create for TK.LAB client projects and campaigns. 

“At TikTok, we’re thrilled to see the launch of TK.Lab from Ogilvy Network ANZ. With its team of specialists, TK.Lab will help brands navigate the unique cultural pulse of TikTok and create impactful strategies that resonate with our highly engaged audience. We’re excited to see what they’ll achieve for their clients and look forward to working closely with them,” said Brett Armstrong, GM of global business solutions at TikTok Australia.

TK.Lab launched on 23 May at an exclusive Sydney event called ‘What the Tok!’ designed for CMOs, senior brand marketers, and social leads. The event features speakers from TikTok Australia, Big Sync Music, and an Australian creator.

The Ogilvy Network ANZ TK.Lab team is the latest addition to a growing global TK.Lab network which includes presence in more than 20 markets across Europe, South Africa, North America, Latin America, and South-East Asia, and supported by execution centres in Brussels and Cape Town. 

TK.Lab has helped organizations such as Mondelēz, Ford, Unilever, L’Oréal and The Coca-Cola Company establish their global presence on TikTok.

Sally Kissane, CEO of Ogilvy Network ANZ, concluded, “We already have the know-how and talent within the Ogilvy network who live and breathe TikTok, which has a unique pace and cultural dynamism that requires its own specialist approach. TK.Lab is about bringing those experts together in a centralised offering to directly benefit our clients.

“We’re excited by the prospect of helping brands go beyond conventional approaches, question the rules of consumer engagement and use the fastest growing entertainment platform the best way possible. It’s all part of Ogilvy’s focus on providing our clients with opportunities that go beyond the norm, and an ability to change and evolve to create true impact.”

Singapore – Hepmil Creators’ Network (HCN), one of Southeast Asia’s leading digital creator community and part of Hepmil Media Group, has announced that it is to be a badged as a TikTok Creative Marketing partner specialising in Creator Marketing.

Under the program, brands can work with HCN to create content optimised for TikTok and clients will be able to access all offerings of TikTok Creator Marketplace. Brands can likewise tap into TikTok’s first-party audience insight, growth trends, best-performing videos, and much more to identify the right creators for creator and paid advertising campaigns.

With the partnership, HCN plans to double the number of creators within the Network this year and is also expanding its operations to Thailand and Vietnam to help brands operating in these markets kickstart hyperlocal TikTok campaigns with its pool of creators. In addition, HCN is also widening its scope, and evolving to become a talent agency for creators who are exclusive to the Network. 

“TikTok is now a key platform for brands to engage their audiences in an authentic way. For brands to resonate with their audiences, they must have content that strikes a chord. Many turn to creators for advocacy, but it’s more important to have a pulse on what’s trending within the TikTok community, such that branded content can drive desired marketing impact,” said Cassi Yang, regional general manager at Hepmil Creators’ Network.

Yang further added that being badged as TikTok’s creative marketing partner is proof of the Group’s capabilities in delivering ‘content that sticks’.

“With our network of creators and onground teams who have a pulse of what works and trends, we have been able to offer our clients solutions that resonate with their target audience. The mark of accreditation by TikTok will only further our abilities to provide services that are effective, but more importantly, content that is optimised to resonate,” added Yang.

Adrian Man, director of ecosystem partnerships, APAC and MENA at TikTok also said, “Badging Hepmil Creator’s Network is a milestone for the region’s digital media capabilities, and acknowledging that homegrown network can deliver solutions for brands that can resonate in a region has a diverse audience.”

Man added, “Creators are the lifeblood of our platform, and we’re constantly thinking of new ways to make it easy for them to connect and collaborate with brands. We’re thrilled to be integrating with an elite group of trusted partners to help brands discover and work with diverse creators who can share their message in an authentic way.”

HCN joins influencer marketing and content creation platform Vamp, marketing services company Consumer Acquisition by Brainlabs, and ad platform Nativex, amongst others, as one of TikTok’s marketing partners.