APAC – Global health and beauty retailer AS Watson announces its brand refresh featuring a modernised visual identity that injects more energy into the brand, as well as a new brand circle that focuses on the brand’s values.
The refreshed brand direction aims to bring its 180 years of heritage to the forefront of the business with added vitality to propel the company towards achieving sustainable growth in decades to come.
Within the newly refreshed logo, a red-colour background has been introduced alongside the existing dragon and unicorn, symbolising a combination of east and west, as well as a nine-level pagoda, which represents ethics, values and respect.
The brand name has also taken a simplified approach by renaming ‘A.S. Watson’ as ‘AS Watson’, symbolising the past, present and future achievements of the brand.
Furthermore, the AS Watson Brand Circle is introduced to symbolise unity and wholeness in the organisation, bringing together its clear purpose, vision, mission and DNA.
AS Watson’s rebrand aims to embrace new opportunities, with the goal to be a first-choice shopping destination for quality health, beauty and lifestyle products and services on its O+O platforms.
Expressing her excitement on the refresh, Malina Ngai, CEO of AS Watson (Asia & Europe), said, “This marks a significant milestone in our company’s history. We are AS Watson! Together with our 130,000 colleagues, business partners and stakeholders in the communities where we operate, we are dedicated to love our customers and deliver our simple yet powerful purpose – to put a smile on our customers’ faces today and tomorrow.”
San Francisco – Job and company insight agency Glassdoor has refreshed its brand identity and product experience to emphasize the power of workplace conversations as well as fostering transparency within the workplace.
Developed in partnership with brand agency Koto, Glassdoor’s new rebrand showcases app and site updates that capture the core of the platform as a space for authentic and meaningful conversations about work experiences.
Glassdoor’s new visual identity and product design also coincides with its new brand focus of highlighting the relationships and community formed throughout one’s career, with vibrant and interactive visuals all throughout the platform depicting a healthy workplace.
Glassdoor CEO Christian Sutherland-Wong introduced the new features of Glassdoor in a video, focusing on ‘bowls’ which are sectors of interest and on new conversational options such as talking specifically between co-workers of a company, or conversing anonymously.
Commenting on the rebrand, Deanna German, creative director at Koto, said “Our logo, typography, illustration, icons and unique brand tone reflect Glassdoor’s commitment to creating a healthier and more transparent workplace community”.
Seoul, South Korea – Multinational conglomerate corporation LG Electronics has announced a new brand direction and visual identity, which focuses on angling the brand as more ‘youthful and dynamic’ across its multiple customer touch points.
According to the company’s updated brand communication guidelines, LG outlined the new direction for the brand to be loved by customers across countries and generations, including Generation Z, and ultimately establish itself as an iconic brand.
Moreover, the updated brand guidelines reiterate LG’s core values of ‘Uncompromising Customer Experience,’ ‘Human-centered Innovation’ and ‘Warmth to Power a Smile.’
The new visual identity will see LG using also a more energetic LG Active Red color hue across all customer contact points. Also, various gradient elements in LG Active Red, white and black were also introduced, offering variety as they can be applied according to the unique characteristic of each product or service.
In the digital space, the company’s symbol will come to life, engaging customers with a new level of expressiveness. The brand symbol, composed of the letters ‘L’ and ‘G,’ can perform eight unique motions, including nodding, spinning and winking. With its new capabilities, the brand symbol can greet customers with a friendly smile or move along with background music on digital platforms in a variety of witty ways.
Lastly, the company also designed a new typeface for its ‘Life’s Good’ brand slogan, which will be used more widely as a brand asset in product packaging. Said typeface have been inspired by shapes depicted by various LG products.
William Cho, CEO of LG Electronics, said, “Having a strong, consistent brand strategy enables us to better communicate our value proposition and unique identity, which harmonically blends innovation and warmth. Implementing the new brand strategy, LG aims to become an iconic brand that resonates with consumers transcending generations and locations.”
Australia – Bush Heritage Australia, a not-for-profit conservation organisation that protects ecosystems and wildlife across the continent, has announced its new brand strategy and identity which is aligned with its goal to deepen and double the organisation’s impact before the end of the decade.
The organisation has collaborated with FutureBrand Australia which has been its brand partner since 2022. They have worked together on research and analysis, brand immersion, brand strategy, identity and experience to explore ways in redefining the brand’s values and enable the organisation to reach more people effectively.
Coming off of the organisation’s 30th year celebration, CEO Heather Campbell shared thatthey are committed to deepening and doubling their impact by 2030.
“What a better way to mark this exciting period of growth than with a refreshed brand that honours our history, and looks towards our future. FutureBrand has done a fantastic job of capturing our spirit and reflecting our vision of a healthy country, protected forever,” she added.
Meanwhile, Rich Curtis, CEO at FutureBrand Australia, said, “Knowing the real impact that Bush Heritage is having on Australia’s natural environment and native species – and delivering work that will enable Bush Heritage to scale sustainably for generations to come – makes our team feel particularly motivated to take on this vitally important work and partner with the Bush Heritage team.”
Other works for the said rebranding include a website redesign and a national ad campaign.
Australia– With the rise of the intricate multi-step skincare, such as that of the Korean method that includes the laborious 10-step routine; consumers, most especially women, are highly investing their time and money to keep up with such ‘maintenance’. This overwhelming feeling given by the skincare world is what New Zealand-based skincare brand Okana wants to be an ‘antidote’ to, hence, a new brand platform to showcase such promise with the help of creative agency Clemenger BBDO.
The brand platform, developed by the creative agency, strikes a chord with its main communication of ‘stupid simple’ which aims to highlight the mundaneness – at the same time – the beauty of simplicity.
To be launched in Australia, the fresh brand identity was associated with 15-second youtube videos featuring the musician-actress Ayesha Madon, Okana’s brand ambassador, whilst showcasing some of Okana’s skincare products.
https://youtu.be/YI7x3KDaBGo
Vibs Amin, founder of Okana, said that its new brand identity goes against the wrong, complicated, serious and overwhelming ideas in the beauty industry.
She added, “Our simplicity is our biggest asset – we are transparent about our ingredients, and consumers can look at our ingredients list and feel empowered and confident about skincare.”
Clemenger BBDO led the new brand platform’s overall creative and production, as well as its website and packaging redesign.
Its group creative director Daniel Pizzato commented that the skincare industry is so broad due to the wide range of products and ingredients, associated with both information and misinformation.
“Okana’s products prove that a stupid level of simplicity, achieved in smart ways, can secure better outcomes. Stress and skin don’t play well together, so Stupid Simple is all about clarity and fun,” he concluded.
Australia – Local financial services TPT Wealth has launched a new brand strategy and identity in partnership with FutureBrand Australia, representing the business’ significant growth in Tasmania and the Australian mainland.
The rebrand celebrates TPT Wealth’s exciting vision and its proud legacy; a dependable trustee service for Tasmanians since 1887, which has grown into a diversified financial services business for all Australians.
It also builds on the business foundation to drive awareness, consideration and connection across markets, while bringing emotional depth in an authentic way through a new brand identity, logo, colour palette and tone of voice.
In crafting the brand identity, FutureBrand focused its efforts on the details, similar to TPT Wealth’s approach with focusing on client needs. Subtle refinements to the brandmark created a symbol honouring its proud Tasmanian heritage, alongside a wordmark with renewed focus.
In addition, a versatile supporting palette inspired by Tasmania’s landscapes was introduced, balancing modernity and familiarity, and adding dimension to the brand’s signature orange. A bespoke woodcut graphic encapsulates TPT Wealth’s approach to the safe and gradual accumulation of wealth over time, alongside photography that brings clients to life with Australian warmth.
Andrew Branwhite, head of brand and advertising for parent company MyState, said, “The experience of working with FutureBrand on the brand evolution of TPT Wealth has been one of education and inspiration. Most of us have a hunch about which direction we need to take based on clear business and customer data, but it’s all the more important how you shape this data in order to build the brand for success.”
He added, “The FutureBrand team worked with a high level of engagement and creativity in order to do just that, shaping the process with new insights, enlightening our team with new ways to think, and inspiring us with a brand evolution that’s as motivating for our customers as it is meaningful for our own people. All leading to a great commercial outcome.”
Meanwhile, Rich Curtis, CEO at FutureBrand Australia, commented, “We know that strengthening the link between a brand’s purpose and the everyday experience is the key to unlocking competitive advantage. For TPT Wealth, that meant combining its ambition to expand its presence across Australia with its commitment to preserve the brand’s rich Tasmanian history and legacy.”
He added, “We found that TPT Wealth’s heritage revealed all the right ingredients for building a strong national brand for the future. Those threads from TPT’s past provided all the material we needed to create its new brand identity and transform the brand to help the business continue to evolve and grow.”
Creative, brand identity, and automation are just some of the most vital elements within any successfully working marketing strategy and campaign. The first two deal with external execution, while the latter refers to operational efficiency.
In a rare opportunity that gathered Philippine marketing leaders representing diverse industries, MARKETECH APAC, in partnership with Celtra, delved into a discussion on how brands in the market best approach their marketing strategies in the region. In this discussion, we dived deep into what it takes to deliver high-performing creatives and unique brand identity, while harnessing the power of automation to achieve marketing agility.
In the industry event which carried the theme, ‘Visual2Vision: Leveraging Creativity As Your #1 Marketing Performance Lever’, marketing heads from brands Cambert (Pilipinas), Inc., Canon Philippines, Cebu Pacific Air, Decathlon Philippines, dentsu Philippines, foodpanda Philippines, Generali Philippines, and L’Oréal Philippines each shared how they are keeping their brands top-of-mind in a period where digital has accelerated the bar for which brands are deemed worthy of support and favorability.
Roundtable Highlights: Watch the PH marketing leaders share the top insights from the discussion
Authenticity at the heart of the marketing creative
During the discussion, marketing leaders agreed that at the core of any marketing creative is authentic narrative and messaging. Danielle Eleazar, foodpanda’s head of marketing for new verticals in the Philippines, said that it all boils down to authenticity because beyond making sure that any creative asset or communication resonates with the market, the consumer has to ‘understand’ the message.
“As long as that creative consideration lies [in] authenticity, it’s something that really resonates with the consumer,” said Eleazar.
Canon Philippines’ Anvey Factora and Decathlon Philippines’ Jessica De Leon both echoed the said insight. Factora, Canon’s head of marketing communications, e-commerce and retail, said that amongst others, their topmost consideration on the creative side when launching a marketing campaign is building a strong and authentic narrative. Meanwhile, De Leon, Decathlon’s direct marketing lead, believes that a brand’s creative must be “memorable [and] authentic” with tailored messages based on audiences’ needs.
Meanwhile,for L’Oréal Philippines’ Chief Digital & Marketing Officer, Isabel Falco, building the creatives still goes back to whether it’s able to answer the ‘creative brief’ to be done.
“The topmost consideration for the creative is still going to be whether it successfully answers the creative brief or the job to be done,” said Falco.
However, marketing leaders also stressed the importance of balancing the genuine appeal of creative implementation with execution aimed at achieving business goals. It was Factora who said that in tandem with serving creativity, it’s important to make sure that the overall marketing and communications are aligned with the business direction.
“At the end of the day, we will always be evaluated [on] the business results and impact,” he said.
In the same vein, Patricia Bucag, Cebu Pacific Air’s marketing manager,believes that a marketing campaign must, above all, answer to the business need, which in the airline’s case is getting people to purchase.
At a stage where brand awareness is already high for a company such as Cebu Pacific Air, Bucag said the objective of any marketing initiative becomes purchase-led results.
Yet, brands today are struggling to meet the speed for campaigns to be launched across the funnel. Brand marketers don’t have the luxury of time to spend on the design craft for each and every asset while managing prompt campaign launch times. In order to meet the needs for personalised consumer experiences without burnout, marketing and creative teams must be equipped to successfully launch full-funnel campaigns at scale.
Managing the branding identity of international brands
In a world where every impression is a brand impression, the PH roundtable discussion dove into the main topic of brand identity, the umbrella strategy which creative would fall under.
A number of leaders in the discussion represented the PH leg of international brands such as Canon, and as expected, an entity like Canon Philippines needed to be very strict when it comes to the implementation of all things related to creative to ensure the quality reflects the brand at large.
How Canon Philippines remains effective in its strategy, Factora said, holistic planning is key.
“Coming up with a holistic identity is very, very important because Canon is not just operating in a particular segment or in a particular region, we’re operating in different continents in different countries,” he said.
Factora believes that every great campaign remains to be backed up by holistic planning, and by this, he means integrating not just one function in marketing, but including those from, for example, distribution and sales. This is taking into consideration the sales agenda and channel mapping in the overall strategy.
Meanwhile, we also learned how a local arm of a global insurance brand decides on and manages its branding. For Generali Philippines, it’s all about making the brand’s purpose the compass to draw what steps are best suited to deliver its brand identity.
Milca Javier, the brand’s head of marketing, said, “The purpose of everything that you’re doing in terms of the creative [and] in terms of your campaign [is important]. You want to craft something that emphasises or, you know, heavily promotes all elements of your DNA, of your brand DNA.”
Javier raised questions like, “Do we want to evoke something?” and “Do we want to say something to the audience?” So for example, insurance is strong, but then the brand may want to show that it’s not too stiff or that it’s not too serious, and can also invoke fun, so this is where the little details such as typography and brand colour come to make a big difference.
Ultimately, she said, the buy-in of the branding must come from within before it can even be accepted by the general consumer.
“It’s really valuable that Generali Philippines, the colleagues that I have within the company, know the importance of the brand [and] the brand identity,” she said.
“It’s very, very important that all of the people within Generali Philippines are buying into [our] brand identity. This is the core and we have to stay true to our core,” Javier added.
On the other hand, Cambert Pilipinas’ Jenny Arcellana, its head of marketing, shared about how, overall, marketing strategies, including putting branding identity in place, have evolved through recent years. Arcellana said it’s the influencers and the content creators of today that have been the biggest change.
“So it’s still the same, you know, you have to drive awareness [of] your brand, you have to tell your audience what the brand is, [and] your product – why would it appeal to them, to the target market,” said Arcellana.
But that the change, she said, has been with how you promote the brand and the media available. As a leader in trade marketing, Arcellana commented that amidst these changes, availability and visibility in trade are still very important because a product that cannot be seen cannot be sold.
“But of course, you have to talk to the right person to whom your brand or product is relevant to,” she said.
The power of automation in building personalisation in marketing
Realising creative and branding initiatives cannot be discussed without talking about the role of automation in their development. With a wide range of tools and marketing tech platforms at marketers’ disposal, the matter isn’t whether to utilise what but how to strategically harness these enablers to deliver a brand’s marketing strategy best.
The marketing heads were in unison to say that personalisation is what is made possible by automation–and at scale. Isabel Falco, L’OréalPhilippines’ chief digital & marketing officer, said that there are many different ways to communicate a product’s relevance to a consumer and automation helps in creating many different versions of a creative or marketing campaign to find what is best fitted to a specific audience.
“We really see the value-add of having the capability to automate, [enabling] us to [do] A/B [testing] at scale,” Falco explained.
The power to automate tedious design tasks speeds up time for marketers looking to amp up their creative testing roadmap. With tools like creative automation, brand marketers can iterate and update their highly-customised creatives independently without losing time on manual updates for individual creative versioning. By allowing teams the freedom to produce creative variety at ease, marketers can get campaign refreshes out of the door and initiate the purchase journey quicker.
For Mako Chaves, dentsu Philippines’ MD and Head of Media, one of automation’s top benefits is being able to gain and firm up the ‘audience understanding’, which he believes is the foundation of all great campaigns.
“It all boils down [to] one thing, which I think is consumer truth. And at the heart of every campaign that we do at dentsu is about deep consumer understanding,” said Chaves.
He added, “Without every campaign latching onto a deep consumer insight, I think everything will fall, everything will not be genuine and everything will not be authentic.”
Meanwhile, Decathlon’s De Leon wanted to emphasise how automation eventually gives way for the team to have a seamless and smooth working process.
She said that just like being a brand for sports, efficiency and performance are important to them and utilising the tools that are available makes it possible to deliver personalised and targeted ads to customers.
“Automation really empowers the team to be able to clearly see their next steps and to be able to analyse what’s working and what isn’t…automation allows us to be able to make the work not just efficient, [but] also sustainable for our future customers,” stated De Leon.
In the PH-focused industry discussion, while marketing leaders shared their customised approaches to creative, brand identity, and automation, common themes remain such as balancing ingenious creative campaigns with business-oriented marketing communications. Marketing leaders have also spoken that although brand identity is the main responsibility of the marketing team – effective branding that resonates with consumers is one that is developed and integrated through the cooperation and buy-in of other functions within a company – proving that belief in the brand identity must emanate from within teams, empowered by tools that aid brand governance.
Amidst marketing leaders lending their views and thoughts on external execution, the brand and agency heads also shared what role marketing tech like automation play in bringing marketing campaigns home. While leaders cited different areas of marketing they see automation being the most beneficial, they all agreed that essentially, it’s the ability to deliver targeted and tailor-fit campaigns to consumers that makes it easy for brands to achieve marketing excellence.
Roundtable Highlights: Watch the PH marketing leaders share the top insights from the discussion
Singapore – Travel and leisure e-commerce platform, Klook, has launched its first end-to-end brand identity, aimed at signalling its commitment to powering the travel ecosystem from customers, travel operators, and partners. This comes at a pivotal time of change in the travel industry as the company gears up to champion a new future of travelling in 2022 and beyond.
The new brand identity, which was created in partnership with global brand agency Superunion, invites people to experience everything with optimism, joyfulness, and enthusiasm. At the heart of the new brand identity is the company’s refreshed brand purpose, ‘To inspire and enable more moments of joy’, reaffirming its pledge to revitalize the travel industry.
Moreover, the rebrand also features an all-new Klook icon, new wordmark, typography, colours, illustrations, and icons. Customers can also expect a more interactive and immersive user experience on the platform, with new rich media formats such as motion graphics, short-form videos, and more exciting content, including travel guides, live streams, and vlog reviews.
Marcus Yong, Klook’s vice president of global marketing, shared that the rebrand marks a fundamental shift in how they engage with their customers, and it means pushing the boundaries and constantly introducing new ways to deliver joyful experiences across all touchpoints of their brand.
“With travel gradually resuming, there is no better time than now to introduce everyone to a new Klook and assist customers in reimagining how they travel in this new environment,” said Yong.
Meanwhile, Ambrish Chaudhry, Superunion’s managing strategy director for Singapore, commented that they are very excited to have played a part in Klook’s rebrand journey.
“Now more than ever, people recognize the positive impact that overseas travel and local experiences have on our psyche. Klook’s exuberant new brand expression is a celebration of these moments and the joy they provide,” said Chaudhry.
Bratislava, Slovakia – Global internet security company ESET has unveiled its newest brand positioning centred around the message of ‘Progress. Protected’, which aims to deliver a message of empowering progressive change for society through a fully integrated marketing and communications campaign.
According to the company, said brand positioning was inspired by the insight that while the power of human ideas remains the leading catalyst for the world’s progression today, progress is advanced via the connectivity provided by technology, which needs protecting.
“Human and technological progress is now more vulnerable than ever to attack, and ESET is positioned to protect the continued advancement of this innovation through the provision of its industry-leading security software and services,” the company said in a press statement.
As part of the brand positioning, ESET has released a series of short films directed by Academy Award nominated documentary filmmaker Hubert Davies, in which leaders in science, education, innovation, and space exploration discuss progress from their specialist point of view.
https://youtu.be/LHYIfDyGWPE
As part of the brand films, it will feature bespoke illustrations created by four top-class artists: John Tomac, Jun Cen, Marcellus Hall and Bruno Mangyoku. They will be reacted to in the films with famous personalities such as famous NASA astronaut Chris Hadfield, cultural anthropologist Dr. Mimi Ito, marine biologist Dr. Ayana Elizabeth Johnson, and science author Steven Johnson.
For Richard Marko, CEO of ESET, the new brand positioning is a way for them to demonstrate ESET’s investment and passion for progress through technology. In addition, the company places great importance on the technology, research and corporate responsibility initiatives that they pursue with colleagues, customers, partners and the communities in which they operate.
“The world continues to move forward at pace. When ESET was founded, the Internet was in its infancy. Now technology is part of everything we do and is central to the continued advancement of our society. Most of the time, technology does just what it is supposed to, but to ensure continued progress in the digital age, we need someone to question what’s going on in the background. I believe that is an important task for our company, as to protect technology means to protect progress itself,” Marko explained.
This new brand proposition will be supported with a fully integrated campaign which will be executed throughout 2022. With digital, video, print and Out-of-Home (OOH) advertising, ESET will celebrate progress within technology by spotlighting a number of fascinating thought leaders across a range of fields.
Singapore – World Table Tennis (WTT), the global table tennis competition, is launching with a new brand identity spearheaded by brand agency Superunion. The new identity aims to capture new audiences, attract new partners, and inspire sports fans and consumers to play and enjoy the game.
WTT, created by the International Table Tennis Federation (ITTF), has seen that table tennis was only taken seriously as a competitive and commercial sport in a few countries, hence, wants to change this.
With a fresh gradient visual creative, Superunion said it developed the new brand in a way that would change the way the world sees table tennis, to position WTT in the center stage, and bring its elite athletes, thrilling events, and exhilarating entertainment to the global audience.
Inspired by WTT’s vision to show table tennis in a different light, Superunion’s creative strategy was to reverse the audience’s viewpoint by showing the game from the ball’s eye view, capturing the energy and skill of the game and allowing the audience to see table tennis from a new, unique perspective – literally.
The identity design mirrors sports photography, capturing how each player focuses on the ball in motion. It follows the movements of the spinning ball at a break-neck speed, playing out the drama, precision, skill, passion, and mental agility that the players bring to the table. The whole new look speaks of ‘uncompromising confidence’ – whether that’s the new iconic black table or the redesigned theatre of play.
The World Table Tennis Cup Finals will be held in Singapore from 4 December to 7 December.
Last June, Superunion was also the agency behind the official branding of TMBThanachart Bank, the recently merged banking institution in Thailand.
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