If a brand’s media strategy is still chasing conversions, then it’s not leading—it’s being led. Measuring marketing effectiveness through last-click attribution is like judging a football match based solely on the final goal. Yes, the score matters. But what about the positioning, the teamwork, the creative flair, and the strategy that led to it? That’s where the magic—and the meaning—happens.

Today’s marketers are caught in a performance feedback loop, intoxicated by dashboards that glow with real-time data: clicks, conversions, cost-per-acquisition. These numbers provide a sense of certainty, a tangible result to justify investment. But they fail to capture the nuance of human behaviour. Real influence doesn’t reside in spreadsheets—it lives in memory, emotion, culture, and context.

“What changed the customer’s mind might not be the last thing they saw, but the first thing they felt.”

The Real Work Happens in the Middle

Consumer journeys aren’t funnels anymore. They’re not neat or linear. They’re chaotic, emotional, deeply personal—and heavily shaped by relevance and timing. A single Instagram post might spark curiosity. A recommendation from a friend might deepen trust. A nostalgic moment during a subway ride might ignite connection. But legacy attribution models reward only the last touch, ignoring the subtle, strategic layers that built momentum.

The player who scores gets the headline, but it’s the invisible buildup—the pass, the opening run, the defensive decoy—that truly shaped the outcome. Likewise, marketing ROI isn’t the product of one click. It’s collaborative. It’s cumulative. And it deserves to be measured that way.

Offline Media: The Power We Keep Ignoring

In many Asian markets, offline media is often seen as a legacy channel—glossy, expensive, hard to track. Not because it lacks impact, but because it doesn’t integrate neatly with digital dashboards. That’s a blind spot. A dangerous one.

In high-context societies—like much of Asia—presence is power. Physical visibility often carries more social weight than a digital banner ever could. The where and how a brand appears in the physical world—train stations, flagship stores, airports, billboards—signals more than awareness. It signals intent, identity, and cultural relevance.

Offline media isn’t background noise. It’s a stage. A story. A strategic signal.

Transit Advertising: Japan Sets the Global Standard

Japan’s approach to offline media is a masterclass in cultural integration. In cities like Tokyo and Osaka, transit advertising is not an interruption—it’s embedded into the urban aesthetic. It becomes part of the commute, part of the routine, part of people’s everyday lives.

Shibuya Station is a prime example. When Netflix transformed Harajuku into Hawkins, Indiana to promote Stranger Things, it wasn’t just a campaign—it was a cultural moment. Apple’s Marunouchi flagship store reflects both traditional Japanese craftsmanship and global design precision, becoming a destination in its own right.

Fashion houses like Dior and Louis Vuitton don’t wrap trains in Tokyo to drive impulse purchases. They do it to project aspiration and artistry. These carriages become moving canvases. Meanwhile, local giants like Sony and SoftBank use the same platforms to reinforce identity and national pride.

“In Japan, the commute isn’t just transit—it’s theatre. When done right, it becomes an immersive experience that lodges itself in memory.”

Lessons From the Field: Memory Over Metrics

Years ago, a global luxury skincare brand was preparing its entry into Asia. The client’s brief focused on clicks, impressions, and performance media. The agency team, however, proposed a different approach—a sensory takeover of a Seoul train station. The activation included scent pods, ambient lighting, and immersive storytelling panels that played out like a cinematic narrative as commuters moved through the space.

There were no trackable links. No QR codes. No pixels. Just emotion.

The results? Within three months, brand recall had tripled. Consumers didn’t just see the product—they felt it, talked about it, and remembered it. The product became part of cultural conversations, not just part of a retargeting sequence.

That moment crystallised a truth too many brands overlook: memory scales. Clicks don’t.

Other moments have echoed that insight. A Madame Tussaud’s experience in Bangkok. A bold, architectural activation by Brex in San Francisco. A surprise musical performance promoting Chicago at JFK Airport. These weren’t optimised for conversions. They were optimised for feeling. And that’s what made them powerful.

From Visibility to Relevance

Too many brands confuse being seen with being significant. But visibility alone doesn’t win love, loyalty, or market share. Relevance does.

Apple didn’t build brand equity through CPM efficiency. Netflix didn’t become part of the global pop culture canon by chasing impressions. They achieved it by making people feel something—by being contextually, emotionally, and culturally present.

That’s the kind of presence that doesn’t just show up in reports—it shows up in conversations, in hearts, and in habits.

The brands that integrate into people’s lives—whether through design, storytelling, or cultural fluency—create resonance. They build memory. And memory is the real brand moat.

Asia’s Unique Cultural Context: Why Memory Matters More Here

Asia isn’t one market—it’s a mosaic of markets, each with distinct languages, values, and social frameworks. But across the region, one theme consistently holds: high-context communication. In places like Japan, Korea, Indonesia, and Thailand, much is conveyed implicitly—through cues, settings, rituals, and repetition—not just through direct messaging.

That means the medium is just as important as the message. In Asia, where relationships and emotional trust take time to build, the subtle signals of brand presence—especially in public, trusted spaces—can carry far more weight than a performance ad.

It also means that interruptive, transactional marketing often backfires. Integration and emotional fluency matter. A brand that belongs, that feels native, will always outperform one that merely appears.

The Coming Shift: Smarter, Context-Aware Attribution

As physical and digital environments continue to blend, marketers face an urgent challenge: measurement must evolve. The next generation of attribution can’t just count interactions. It needs to interpret them. It must understand why a customer moved—not just that they moved.

Artificial intelligence will play a critical role in this shift. Emerging tools won’t just track digital clicks. They’ll read sentiment, interpret context, analyse narrative arcs, and correlate emotional triggers across time and touchpoints.

But even with smarter tech, one principle will hold: real ROI is orchestration, not isolation. No channel acts alone. Impact is co-authored—by creative, timing, placement, and cultural fit. The attribution models of tomorrow must reflect that.

Marketing Needs a New North Star: Memory

The current obsession with data has its place. But it’s made marketers forget the most important metric of all: Did people remember it?

Marketing isn’t just a performance game—it’s a memory game. And memory, unlike impressions or reach, compounds over time. It sticks. It spreads. It influences.

“You can chase the algorithm, or you can shape the memory.”

When brands shape memory, they create lasting advantage. They become part of culture, not just commerce. They earn word-of-mouth, loyalty, and emotional real estate.

Owning the Future by Shaping the Past

In Asia, the brands that endure don’t just show up—they belong. They don’t interrupt—they integrate. They don’t chase—they contribute.

In a region where trust is earned slowly and held tightly, marketing that’s grounded in emotional resonance, cultural respect, and physical presence can do what dashboards never will: build meaning.

That’s not to say performance marketing is obsolete. It’s not. Digital media still plays a vital role in closing the loop, activating intent, and capturing demand. But it cannot be the full story.

The real brand work happens before the click. Before the search. Before the pixel fires. It happens in the world. In the imagination. In the memory.

Final Thought: Brands That Shape Memory, Win Markets

As Asia continues to lead global innovation and cultural evolution, the stakes for brands grow higher. Noise is everywhere. Attention is fractured. Metrics are manipulated.

But memory? That’s immune to ad blockers.

Brands that want to win in this region need to shift their mindset. From short-term efficiency to long-term resonance. From chasing conversions to shaping conversations.

Because in the end, consumers won’t remember the ad that followed them around the internet. They’ll remember how a brand made them feel—in a subway, in a store, on a street corner, or at a moment when it truly mattered.

The brands that shape memory today will own the market tomorrow.

This thought leadership piece is written by Srikanth Ramachandran, Founder and Group CEO at Moving Walls

The insight is published as part of MARKETECH APAC’s thought leadership series under What’s NEXT in Marketing 2025, a multi-platform industry initiative which features marketing and industry leaders in APAC sharing their marketing insights and predictions for 2025 and beyond.

Hong Kong – For the first time in its 137-year history, Hong Kong-based Lee Kum Kee has launched a global brand campaign, celebrating the universal power of togetherness, tradition, and shared culinary experiences that transcend borders and generations.

In collaboration with DDB Group Hong Kong, Lee Kum Kee’s global campaign seeks to strengthen its connection with an expanding international customer base while attracting new audiences worldwide.

Titled ‘FLAVORS THAT BIND,’ the campaign pays tribute to the brand’s cultural significance, emphasising its role in bringing people together—not just around the table, but across generations and continents—through its diverse range of Chinese and Asian sauces and seasonings.

Lee Kum Kee launched its campaign during Lunar New Year, a time of global gatherings over traditional dishes, to celebrate Asian culture and values. The campaign film highlights how meals with Lee Kum Kee sauces foster deeper connections through shared traditions and heritage.

The brand film is supported by Lee Kum Kee’s largest media investment to date, featuring prominent placements on digital billboards in New York’s Times Square, London’s Outernet, Shanghai No.1 Department Store, and Hong Kong International Airport, along with extensive online and social media coverage.

Additionally, Lee Kum Kee has also partnered with FleishmanHillard offices in Hong Kong, Shanghai, London, and New York for global PR; Cedar HK for content management; and Havas Hong Kong for media to ensure the campaign resonates with a worldwide audience.

Doreen Cheng, chief marketing officer at Lee Kum Kee Sauce, said, “With the launch of our new brand campaign, Lee Kum Kee celebrates its evolution as a global gateway to Asian culinary culture, representing the diversity, richness, and expressivity of Asian flavours on a global stage.” 

“For us, ‘global’ is not restricted to geography—it’s an attitude of authentic inclusiveness, where the flavours, traditions, and togetherness we celebrate resonate universally; this spirit is at the heart of our campaign. Through the brand film, we aim to preserve our heritage while inspiring chefs and food lovers to connect with Asian cuisine in meaningful ways,” Cheng added. 

Adrian Ts’o, chief strategy officer at DDB Group Hong Kong, also shared, “It’s not every day you get the brief to take a homegrown Hong Kong brand to the world. This is exactly the kind of work we aspire to do more of. Our city and region have so much to offer, and it’s an exciting new era for Lee Kum Kee. We look forward to showcasing this phenomenal brand to audiences across the globe.”

Australia – ANZ, in partnership with JCDecaux, have transformed the large-scale tram stops at Melbourne Park–the gateway to Rod Laver Arena–into a striking brand experience for the Australian Open. 

The takeover spans all twelve tram shelters with nine different themes, greeting fans with ANZ’s signature blue neon lighting, fully wrapped shelters, seat decals, and a 70-metre tennis court floor decal – the first of its kind. 

The Yarra Trams stop location is the only commuter entry to the Australian Open serving as a crucial link between Melbourne’s vibrant streets and one of its most iconic events. The campaign runs from 13th to 28th January.

Sian Chadwick, general manager of marketing for Australia at ANZ, says, “We’re bringing the ANZ Falcon® to life in a way that connects meaningfully with fans. Collaborating with Tennis Australia, we’ve created an engaging precinct experience that combines the excitement of the Australian Open with the security of ANZ Falcon®, always protecting against fraud. It’s a memorable way to leave a lasting impression on locals and visitors alike.” 

Meanwhile, Kristian Muhllechner, Victorian sales director at JCDecaux, commented, “This is a Melbourne-first for us. The precinct takeover serves up a winning combination of creativity and scale. It showcases the power a creative campaign can have and the role it plays in brands being seen and remembered. ANZ is acing the arrival experience with an immersive and memorable activation at this iconic event.”

India – To spotlight its dedication to sustainability, Britannia has teamed up with creative agency Talented for a unique campaign where nature takes centre stage, shaping the brand’s outdoor advertising in a new way.

Titled ‘Nature Shapes Britannia,’ the out-of-home (OOH) campaign features billboards that physically conform to the shape of nearby trees, creating a powerful visual and metaphorical statement about how one of India’s largest organisations adapts to nature, rather than forcing nature to adapt to it.

Each of Britannia’s billboards is paired with a message highlighting the brand’s sustainability efforts across key areas, including plastic neutrality, waste management, circular economy, water stewardship, and energy management. The surrounding trees dictate the design and typography, causing the brand name to bend, curve, or compress based on their shape. 

For Britannia, this approach to the campaign reflects the flexible, adaptive mindset that large brands must adopt to drive real progress in sustainability.

Amit Doshi, chief marketing officer at Britannia, shared, “Britannia has been committed to being a sustainable organisation with a deep commitment towards its strategic ESG pillars. Through the years, we’ve learnt that sustainability needs a conscious, adaptive, flexible approach. This initiative is an embodiment of this flexible approach, with nature shaping ‘Britannia,’ quite literally. The team ensured even the material used for the hoardings was 100% cotton and biodegradable, ensuring we stay committed to the cause we are delivering.” 

The campaign’s creative agency, Talented, collaborated with multiple media partners to execute a unique strategy that defied the usual billboard selection process. Since media agencies don’t maintain data on billboards partially covered by trees in major Indian cities, the team also conducted on-ground surveys to handpick suitable locations.

Speaking on the campaign, Aabhaas Shreshtha, founding member and creative at Talented, explained, “Nature shapes Britannia, and so it was natural for us to want nature to shape its advertising as well. And so began our mission to find ‘rare trees with billboards right next to them.’ After a long and rigorous recce-ing with our media partners, we studied the contours of each tree, understood its growth and coverage, and designed around them. Large-scale sustainability charters are extremely consequential in the bigger picture but can feel distant. By partnering with nature around us to tell the story, Britannia is bridging that gap.” 

Sonia Lal, partner at Coral Media, added, “We were pleasantly surprised when we were briefed on the current campaign ask and honestly feel incredibly proud to support Britannia’s initiative, which is not just a wonderful way to show the impact of the brand’s sustainability initiatives but also a signal from one of the country’s long-standing advertisers to other advertisers and media owners to think differently. Not everything great must come at the cost of nature.” 

The ‘Nature Shapes Britannia’ OOH campaign launched across four cities—Hyderabad, Kolkata, Meerut, and Pune—in collaboration with various tree species, including Nag Kesar, Aam, Neem, and Peepal.

Singapore – Moove Media, ComfortDelGro’s outdoor advertising arm, has announced the trial of its ‘Dynamic Cab Advertising,’ Singapore’s first taxi top smart digital billboards, for a six-month period. The Land Transport Authority (LTA) has approved for 50 vehicles to be on the road during the trial.

The new taxi top smart digital billboards will be able to display different creatives based on the vehicle’s location, time of day and prevailing weather conditions, allowing advertisers the ability to tailor ads and target audiences with precision.

Singapore will be one of the first few markets in the world to feature digital advertising on top of taxis after New York, UK, Hong Kong and India. These vibrant digital displays will add a new dimension to Singapore’s cityscape, while also contributing to a more sustainable environment. 

By eliminating the need for consumable materials like stickers and ink, ‘Dynamic Cab Advertising’ reduces environmental impact and ensures faster turnaround for visual and creative changes, which are made digitally through a virtual content management system. This is estimated to save up to 200 man-hours and 3,300 square meters of printed material annually for every 50 taxis equipped.

To avoid distracting drivers on the road, ad transitions will only happen when the taxi is stationary. Each ad on the screen will play for 15 seconds before transitioning to the next one. Moove Media expects to launch the first 50 taxis equipped with the new smart digital billboards by 14 October 2024. Amazon is the first client to adopt this new advertising format.

Jeffrey Kwek, CEO at Moove Media, said, “We are proud to be pioneering the future of outdoor advertising in Singapore with the introduction of the first taxi top smart digital billboards. Our Dynamic Cab billboards offer unmatched access and visibility, offering brands a unique opportunity to reach their target audience in one of the world’s most densely populated cities. By leveraging geo-targeting capabilities, advertisers can significantly enhance their campaign return on investment.”

Vietnam – Unilever’s laundry power brand Dirt Is Good, known as OMO in Vietnam, has launched a bold new campaign to mark the re-launch of its liquids portfolio in the market. 

The campaign, “Many Stains Come Before The First Win” is the first local expression of Dirt Is Good’s new Play On strategy, which takes the brand into the territory of top performance by championing the value of sports to unleash human potential and drive personal growth, determination, and resilience.

In partnership with lead creative agency, MullenLowe Singapore, the campaign encourages kids and parents not to give up at the first disappointment, and to embrace stains as part of play, learning and success – rather than being seen as a sign of bad behaviour. 

In a deliberate countermove to the under-representation of girls playing sport in Vietnam’s mainstream media, OMO have put a young girl getting muddy playing football at the heart of the narrative for the TV advert.

Dirt Is Good’s first ever 3D billboard, located in the centre of Ho Chi Minh brings the functional benefits of OMO’s new NanoClean Technology to life. The eye-catching display shows a muddy football being kicked, while pink petals appear to jump off the screen, bringing to life the key product benefits of first-time removal of tough stains such as mud and dirt, and superior fragrance. Fragrance is the biggest demand space in liquid detergent in Vietnam and continues to grow steadily in importance for consumers.

Spanning both cities and rural areas, the campaign also includes OOH advertising across 6 key cities, 1,200 Shopping Malls and 60 nationwide wet markets. To further cement sport as the new home of Dirt Is Good, additional activity includes a wide-range of in-store activations with bold displays, floor projections and consumer sampling of a limited OMO sport edition, as well as a partnership with VNE to run a Kid Warrior Run, and limited edition sportwear launch in partnership with leading sportwear manufacturer Coolmate, with 30,000 t-shirts to be won.

This campaign builds on Dirt Is Good’s strong heritage in nuanced local and culturally relevant storytelling. For example, OMO’s celebration of Tet earlier this year, delivered through a moving music video with renowned Vietnamese singer Hòa Minzy, reminding people not to give up during difficult times, and that where there is hard work, and dirt, there is hope.

James Adkin, senior global marketing manager at Unilever said, “Sport is the ultimate home of performance and resilience. We are proud to bring this campaign to Vietnam, as we continue to shift the narrative around dirt and stains – celebrating dirt as a mark of kid’s resilience in learning about the outside world, with the reassurance that clothes can be quickly restored, ready to play again.”

Meanwhile, Sean Lee, senior account director at MullenLowe Singapore, commented, “With OMO, we are constantly working to find new and innovative ways to connect with people. We’re proud to have been the first in the Dirt Is Good team to use a 3D billboard to stop people in their tracks and show them the product benefits in a larger-than-life format. We hope the campaign feels relatable to families across Vietnam, and that it encourages more children and parents to play with no fear of getting dirty.”

Manila, Philippines – Independent creative agency GIGIL has released an official statement, apologising in regards to its involvement in the controversial ‘Gil Tulog’ campaign done for the melatonin supplement brand Wellspring.

In a statement, GIGIL said that they recognise the issues caused by their recent campaign, adding that even as all the necessary permits and clearances were secured, their approach had resonated differently and so the campaign was immediately discontinued.

“Understanding the distress the project caused, we have personally reached out to members of the Puyat family to convey our regrets and express our respect for former Senate President Gil Puyat’s legacy,” the agency said.

The agency also added that it will be putting in place more stringent measures to ensure this type of incident does not happen again.

It should be noted that the Advertising Standards Council (ASC) of the Philippines and the Association of Accredited Advertising Agencies – Philippines (4AS Philippines) have released separate statements regarding the campaign, expressing their dismay on the campaign execution and promising a thorough investigation related to the overall execution of the campaign.

The controversial ‘Gil Tulog’ campaign was met with dismay and frustration by the general public, especially the family of the late Senator Gil Puyat–to which the Gil Puyat Avenue was named after and became the subject of the campaign.

Following the incident, Victor Puyat–son of the late Senator–had filed a complaint with the Ad Standards Council and asking that the agency who did the campaign–relatively undisclosed as of this writing–be either ‘suspended or banned’.

However, this was not the first time GIGIL came under fire for its creative work–known to always go the tongue-in-cheek route.

In 2021, 4AS Philippines suspended GIGIL’s membership following the release of its controversial ‘Pandemic Effect’ campaign done alongside the Belo Group. In the campaign, it featured a woman watching a barrage of news while her appearance changes: the skin under her eyes darkens, gets acne, grows facial and body hair, and gains weight. The general public has called out said ad, stating that it was ‘tone deaf’ and body-shamed women in the middle of the pandemic.

India – Samsung and Cheil India has announced the creation of the ‘No So Silent Library’, a silent nook for book lovers as part of Samsung’s participation in the Jaipur Literature Fest, one of the biggest literary festivals in the country, as well as to promote its Galaxy Buds2 Pro earbuds.

In the campaign, Samsung had stationed Galaxy Buds2 Pro with Active Noise Cancellation earbuds, along with Samsung Galaxy S9 series tabs at some the noisiest places in the city. People were invited to come and experience the library with a teaser message – Any place is a good place to read. 

Upon plugging in the Buds2 Pro and choosing an audiobook from the Galaxy S9 series tabs, a literal library came up around them, further building on the ambiance to read. All the while subtly highlighting the features of the products.

Aditya Babbar, vice president, head of product and marketing at Samsung said, “Samsung has always set the benchmark when it comes to innovation and making technology accessible and appealing for everyone. With our association with Jaipur Literature festival, which has gained international recognition for fostering a unique blend of literary and cultural experiences, we displayed how innovative technologies can bring meaningful changes in our user’s lives.”

He added, “With the ‘Not So Silent Library’ campaign we show-cased how Galaxy Buds2Pro with enhanced 360 immersive audio and intelligent Audio Noise Cancelation (ANC) and Galaxy Tab S9 redefines the limits of possibility by setting up an ambient environment where avid book lovers could enjoy their favourite audiobooks, without any disturbance.”

Meanwhile, Vikash Chemjong, chief creative officer at Cheil India said, “The Not So Silent Library created a unique, noiseless reading experience for book lovers across Jaipur and they loved it! Social platforms were abuzz with mentions of the Not So Silent Library and the Internet at large celebrated the idea. The Not So Silent Library ended up creating a lot of noise for Samsung!”

Singapore – Science Centre Singapore has publicly launched ‘Scream Challenge: Who can scream the loudest? ‘project that invites people to test their vocal prowess while discovering captivating scientific trivia.

The quirky challenge features an immersive screen device where interested passersby must scream the word ‘WATT’ in a microphone for a minimum of five seconds. The names of the top 10 contenders will be displayed on the screen’s leaderboard to commemorate their sonic triumph.

Aside from unleashing their vocal powers, the immersive scream challenge also provides a one-of-a-kind educational experience that marries the thrill of discovery with captivating scientific insights to pique curious minds.

Once the participant finishes the scream challenge, the screen will display fascinating scientific facts about sound and energy. Each of these facts is linked to the centre’s dynamic exhibits, encouraging them to visit the main exhibit.

Science Centre Singapore seeks to inspire people to explore the wonders of science, technology, engineering, and mathematics (STEM) by combining fun activities with educational content.

The scream challenge is part of the campaign to promote Science Centre Singapore’s upcoming UNTAME Festival. The campaign also introduced the adorable STEMling mascot, Watt.

Those who participated in the scream challenge will have the chance to receive discount promo codes that can be used when they attend the UNTAME Festival.

Science Centre Singapore’s immersive scream challenge was first launched at the Orchard bus stop. It will soon make its way to the Paya Lebar bus stop, adjacent to Paya Lebar Station Exit B, to have more people experience the fun of learning science.

Malaysia – International travel and lifestyle brand TUMI has officially debuted its first 3D out-of-home (OOH) advertisement in a new campaign to showcase its hardside luggage, TEGRA-LITE.

In this new campaign, TUMI leverages the 3D anamorphic billboard technique to manipulate the perspective of audiences and create the illusion of a three-dimensional image on a two-dimensional surface.

Using the 3D billboard, the brand runs its 30-second advertisement featuring the components of its expandable carry-on, TEGRA-LITE. The ad shows the components of the product coming together mid-air before colliding with the surrounding walls and leaving it completely destroyed.

The innovative advertisement aims to display the strength and impact the material of the hardside luggage can create, which gives it durability and toughness. It showcases the high standards TUMI has placed in their product design for travel as it uses Tegris®, which is also used for lifesaving armour and protective sports gear.

Furthermore, the 3D advertisement also aims to ignite the TUMI brand in the region while reinforcing its performance luxury roots.

The advertisement will run in seven prime locations in Asia-Pacific and the Middle East, with the first one launched in Malaysia, followed by Indonesia, the Philippines, Korea, Japan, and Dubai as the brand works to engage all their customers through the creativity of their new campaign.

Jill Krizelman, SVP for global marketing and e-commerce at TUMI, said, “At TUMI, we are always looking to innovate and disrupt how we reach consumers. We’re thrilled to bring our much-loved TEGRA-LITE® luggage to our first 3D out-of-home ad, which demonstrates the strength and resilience of this high-performance collection featuring the ground-breaking Tegris® technology.”